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PREVIOUSLY ON

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LOVE and HIP HOP: ATLANTA.

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ARE YOU STILL SEEING HER?

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KHADIJAH?

5
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I AM NO LONGER CHEATIN'’

6
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ON YOU.

7
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OKAY.

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YOU TOLD ME

9
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YOU WAS GOIN'’ OUT OF TOWN,

10
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BUT NOW YOU WITH A TELETUBBY?

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OH, WOW.

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COME ON, HOLD UP.

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IT IS SO OVER, '’CAUSE I

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COULD HAVE ANY MAN I WANT.

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I'’M OFFICIALLY MRS. MALPHURS.

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WE GOT MARRIED ALREADY.

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WHAT?

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THAT'’S JUST REAL [bleep]

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I WASN'’T VERY EXCITED

20
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WHEN THE NEWS WAS BROKEN TO ME,

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BUT I AM SO

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HAPPY.

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THERE'’S SOMETHIN'’

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I WANT TO TALK TO YOU ABOUT.

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I'’M GOING TO A FERTILITY

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CLINIC.

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ALTHEA.

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BABY, WHAT'’S THAT?

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WILL YOU MARRY ME?

30
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YES.

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DID YOU EVER HAVE A TALK

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WITH STEVIE

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THAT HE KNEW ME?

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NO.

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BUT YOU KNOW

36
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THAT WE DID IT ONE NIGHT.

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I NEVER HAD SEX WITH HER.

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I DON'’T WANT TO TALK

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ABOUT SMASHING, '’CAUSE I

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DIDN'’T SMASH.

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OH, YOU DID.

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LIFE DOESN'’T STOP

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BECAUSE SOMEONE PASSES.

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HER DAD JUST DIED.

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I FEEL LIKE SHE'’S WEARING

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THIS SMILE TO COVER UP A LOT OF

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WHAT'’S REALLY HURTING HER.

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SO WHAT'’S HURTING HER?

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YOU GOT TO KNOW.

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YOU.

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THE ONLY PERSON

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THAT HAS BEEN THERE FOR ME?

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NIKKO.

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I'’VE BEEN GETTING HIT UP.

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I SAW SOMETHING ON MEDIATAKEOUT

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ABOUT YOU BEING MARRIED.

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IS THERE ANY

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TRUTH TO THIS?

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YES, THERE IS.

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♪ THIS IS THE LIFE

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♪ YEAH

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♪ THIS IS THE LIFE

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♪ '’SUP ♪

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♪ THIS IS THE LIFE

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♪ HUH

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♪ THIS IS THE LIFE

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♪ HUH

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♪ THERE AIN'’T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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♪ THIS IS THE LIFE

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I'’VE BEEN GETTIN'’ HIT UP

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LEFT AND RIGHT '’BOUT

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SOMETHING ON MEDIATAKEOUT

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ABOUT YOU BEING MARRIED.

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IS THERE ANY TRUTH?

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YES, THERE IS.

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IT WAS SOMETHIN'’ THAT I BEEN--

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I WAS GONNA TAKE TO MY GRAVE

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WITH ME.

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YES, I AM MARRIED.

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WHEN I SAW THE MEDIATAKEOUT

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ARTICLE I THOUGHT,

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"THIS CAN'’T POSSIBLY BE

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TRUE."

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BUT NEVER IN MY WILDEST DREAMS

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DID I THINK

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HE WOULD JUST SIT HERE,

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CALM, AND SAY, "YEAH.

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I'’M MARRIED."

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I'’M SO EXHAUSTED

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THAT I CAN'’T EVEN CUSS

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YOU THE [bleep] OUT

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LIKE I WANT TO.

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I'’M BEIN'’ HONEST WITH YOU.

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THAT'’S THE LOVE I GOT FOR YOU.

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THAT IS NOT A [bleep] PRIZE

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FOR ME.

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I'’M SORRY.

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I WENT HARD FOR THIS MAN,

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EVEN WHEN EVERYONE WAS

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ATTACKING HIM, DISCREDITING HIM.

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AND THEN HE TURNS

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AROUND AND STABS ME IN THE BACK?

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I FEEL LIKE A FOOL.

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YOU DIDN'’T THINK, AT THE

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TIME THAT YOU DECIDED TO BE

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IN A RELATIONSHIP WITH ME,

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THAT THAT IS SOMETHING

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THAT I SHOULD KNOW?

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I WANTED TO TELL YOU

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WHEN I WANTED TO TELL YOU.

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WHICH WAS NEVER.

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WHICH WAS--

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NEVER.

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BUT I DIDN'’T LIE TO YOU.

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THE QUESTION WAS NEVER ASKED

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UNTIL NOW.

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YOU DID, AT SOME POINT,

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INTEND ON GETTING A DIVORCE.

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ABSOLUTELY.

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WHEN?

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NOT ONLY IS THIS IDIOT

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STILL MARRIED,

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BUT HE CAN'’T EVEN TELL ME WHEN

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HE'’S PLANNING

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ON GETTING A DIVORCE.

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I'’M JUST STUNNED AND CONFUSED.

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I'’M HAVING A HARD TIME

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EVEN BELIEVING THIS CONVERSATION

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IS REALLY HAPPENING.

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WHAT I DECIDED TO DO

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HASN'’T AFFECTED US.

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I BEEN WITH YOU.

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I HAVEN'’T BEEN WITH HER.

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I DON'’T GET IT.

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LIKE, YOU WANT ME TO JUST--

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I DON'’T KNOW WHAT YOU

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WANT ME TO DO.

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AND THAT'’S THE POINT.

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YOU DON'’T GET IT.

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IT'’S MY WHOLE POINT.

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SO YOU LEAVIN'’?

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YES, I AM.

145
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YOU HAVEN'’T EVEN

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FINISHED YOUR WINE YET.

147
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I HAVEN'’T FINISHED

148
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MY WINE.

149
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AND WE HAVEN'’T FINISHED

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TALKIN'’.

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WHAT ELSE DO YOU HAVE

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TO SAY TO ME?

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I WANT YOU TO WALK OUT OF

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HERE WITH A DIFFERENT ATTITUDE.

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HOOK UP.

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IT'’S HITTIN'’ ME RIGHT NOW.

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I WANT YOU--

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IT'’S ME, YOU, AND YOUR WIFE.

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I'’M PUBLICLY WITH YOU.

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THAT'’S WHAT WE'’RE DOIN'’.

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YOU'’RE DIGGING

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YOURSELF A [bleep] HOLE.

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I WOULD STOP RIGHT NOW.

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CAN WE DO DINNER LATER?

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IS THIS REALLY [bleep]

166
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HAPPENIN'’ RIGHT NOW?

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THIS IS HAPPENIN'’.

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WE'’RE DONE TALKING.

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[bleep] IN AWE RIGHT NOW.

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I MAY BE GRIEVING, BUT I'’M

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CLEAR ENOUGH TO KNOW

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THAT THIS ENTIRE YEAR OF MY LIFE

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HAS BEEN A COMPLETE LIE,

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AND THIS MAN HAS DISAPPOINTED ME

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FOR THE LAST TIME.

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HEY!

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I LOVE THAT RHYTHM, BABY.

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I LOVE THAT RHYTHM.

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THI THI AND I FINALLY

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DECIDED ON A DATE

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TO GET MARRIED.

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SO TONIGHT

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I'’M THROWIN'’ A BIG BACHELOR

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PARTY.

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I MEAN, WE GETTING READY

186
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TO PARTY OUR ASS OFF.

187
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LET'’S CRACK

188
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THE CHAMPAGNE, HEY.

189
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CAN YOU BELIEVE IT?

190
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I'’M OFF THE MARKET.

191
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all: HEY!

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I'’LL DRINK TO A HONEY.

193
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IN RECORD TIME.

194
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BUT YOU KNOW WHAT, FELLAS?

195
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YOU CAN BE WITH SOMEBODY

196
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FOR ONE YEAR AND

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SAY, "YOU KNOW WHAT?

198
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THIS IS RIGHT.

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IT'’S EVERYTHING

200
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I WANT IN A WOMAN FOR

201
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THE REST OF MY LIFE."

202
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YOU HAPPY.

203
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I MEAN,

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THAT'’S WHAT IT'’S ABOUT.

205
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IT REALLY AIN'’T

206
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ABOUT THE GOOD TIMES.

207
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IF YOU CAN MAKE IT

208
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THROUGH THE BAD TIMES,

209
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YOU GOOD.

210
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I SAY THE BAD TIMES

211
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BUILD YOUR RELATIONSHIP,

212
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'’CAUSE IT'’S GONNA BE YOUR

213
00:04:51,344 --> 00:04:52,000
STRENGTH.

214
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FIRST OF ALL, YOU CAN'’T SAY

215
00:04:53,344 --> 00:04:54,896
TOO MUCH OF ANYTHING RIGHT NOW.

216
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LET ME TELL YOU

217
00:04:55,551 --> 00:04:56,206
ABOUT A SORRY PUP.

218
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WAIT, WAIT, TOASTER

219
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GETTIN'’ OUT THE DOGHOUSE.

220
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THAT'’S WHAT THAT IS.

221
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HOLD ON.

222
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HE GOT THIS BIG "I'’M

223
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SORRY" BANNER ON THE FRONT YARD.

224
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WHAT?

225
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HE GETS UP AND SAYS,

226
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"SORRY," I'’M SITTING THERE.

227
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I'’M EATIN'’ THE BEANS AND

228
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IT'’S LIKE, "OH, ZINO,

229
00:05:06,724 --> 00:05:07,931
YOU GOT TO SAY SORRY, TOO."

230
00:05:07,931 --> 00:05:08,724
WHAT DID YOU DO?

231
00:05:08,724 --> 00:05:09,620
WHAT AM I SAYING SORRY FOR?

232
00:05:09,620 --> 00:05:10,655
'’CAUSE I WENT TO THE CABIN

233
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WITH ZINO TO FISH.

234
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YEAH,

235
00:05:12,758 --> 00:05:14,482
YOU WAS FISHIN'’ TWO BIG ASSES.

236
00:05:14,482 --> 00:05:15,206
RASHEEDA AND I

237
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HAVE PUT THE CABIN BEHIND US,

238
00:05:16,931 --> 00:05:18,206
AND AS A MAN BEING MARRIED

239
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FOR 14 YEARS,

240
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I'’M WISHIN Z AND THI GOOD LUCK.

241
00:05:22,758 --> 00:05:24,379
DID Y'’ALL SIGN THE PRE-NUP?

242
00:05:24,379 --> 00:05:25,413
I DON'’T NEED A PRE-NUP

243
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WITH THI.

244
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THE MOMENT

245
00:05:27,620 --> 00:05:28,896
YOU SIGN A PRE-NUP, YOU

246
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PUTTIN'’ ALL KIND OF VOODOO

247
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ON YOUR MARRIAGE.

248
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OKAY.

249
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'’CAUSE YOU'’RE ALREADY SAYIN'’

250
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SOMETHING'’S GONNA HAPPEN.

251
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TOAST TO NO PRE-NUP.

252
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TOAST TO VOODOO.

253
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AND A HAPPY MARRIAGE.

254
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HAPPY MARRIAGE.

255
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TOAST TO HAPPY MARRIAGE.

256
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HERE WE GO.

257
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THE WHOLE THING

258
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ABOUT A MARRIAGE IS THAT YOU

259
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PLAN ON BEIN'’ TOGETHER

260
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FOREVER.

261
00:05:43,689 --> 00:05:45,344
A PRE-NUP KIND OF STATES

262
00:05:45,344 --> 00:05:47,655
THAT IT MIGHT NOT LAST.

263
00:05:47,655 --> 00:05:48,413
AND I KNOW WE GON'’

264
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BE TOGETHER FOREVER.

265
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KISS HER.

266
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Y'’ALL DON'’T--

267
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Y'’ALL NOT THINKING.

268
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THIS IS WHAT I THOUGHT

269
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A BACHELOR PARTY SHOULD BE.

270
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THIS IS ALL IT'’S ABOUT.

271
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DOUBLE THE FUN.

272
00:05:58,068 --> 00:05:58,965
WELL, THAT'’S A TATTOO

273
00:05:58,965 --> 00:06:00,034
OF MY FIANCEE.

274
00:06:00,034 --> 00:06:01,344
THAT'’S MY BABY.

275
00:06:01,344 --> 00:06:04,965
BABY, I LOVE YOU.

276
00:06:04,965 --> 00:06:05,758
LADIES AND GENTLEMEN,

277
00:06:05,758 --> 00:06:06,413
I WANT TO MAKE AN

278
00:06:06,413 --> 00:06:07,310
ANNOUNCEMENT.

279
00:06:07,310 --> 00:06:10,241
AT MY WEDDING, STEVIE J.

280
00:06:10,241 --> 00:06:13,310
AKA SLEAZO IS GONNA BE MY BEST

281
00:06:13,310 --> 00:06:16,931
MAN.

282
00:06:16,931 --> 00:06:22,206
HEY, SHOTS FOR ALL MY GUYS.

283
00:06:22,206 --> 00:06:24,310
KKK, TURN THE MUSIC UP, BAKE IT.

284
00:06:24,310 --> 00:06:25,413
IT FEELS GOOD TO KNOW

285
00:06:25,413 --> 00:06:26,413
THAT MY MAN HAS FINALLY

286
00:06:26,413 --> 00:06:27,655
FOUND SOMEBODY THAT HE

287
00:06:27,655 --> 00:06:28,448
CAN SETTLE DOWN

288
00:06:28,448 --> 00:06:29,827
WITH AND CALL HIS OWN.

289
00:06:29,827 --> 00:06:31,482
LET'’S THROW SOME RICE.

290
00:06:31,482 --> 00:06:32,448
CONGRATULATIONS, BRO.

291
00:06:32,448 --> 00:06:33,103
OH, SLEAZE.

292
00:06:33,103 --> 00:06:33,793
GOT LOVE.

293
00:06:33,793 --> 00:06:34,517
YOU'’LL BE THE BEST MAN,

294
00:06:34,517 --> 00:06:35,172
RIGHT?

295
00:06:35,172 --> 00:06:36,103
BE THERE. LISTEN.

296
00:06:36,103 --> 00:06:37,068
WE GOIN'’ TO L.A.

297
00:06:37,068 --> 00:06:38,310
I'’M BACK ON MY MUSIC LINE WITH

298
00:06:38,310 --> 00:06:39,000
SNOOP.

299
00:06:39,000 --> 00:06:40,000
WHOO.

300
00:06:40,000 --> 00:06:41,103
HE KNOWS THAT I MAKE CLASSICS

301
00:06:41,103 --> 00:06:41,793
WITH BIG--

302
00:06:41,793 --> 00:06:42,448
BIG WOULD BE [bleep]

303
00:06:42,448 --> 00:06:44,000
PROUD OF YOU RIGHT NOW.

304
00:06:44,000 --> 00:06:45,000
IT'’S ABOUT TIME TO SHOW THE

305
00:06:45,000 --> 00:06:46,000
WORLD WHO THE [bleep] YOU ARE,

306
00:06:46,000 --> 00:06:46,655
SLEAZO.

307
00:06:46,655 --> 00:06:47,310
I CAN'’T WAIT.

308
00:06:47,310 --> 00:06:48,206
COME ON, STEVIE J.

309
00:06:48,206 --> 00:06:49,241
I'’M GOING THERE TO SUPPORT

310
00:06:49,241 --> 00:06:50,517
SLEAZO, DOING HIS NEW SONG

311
00:06:50,517 --> 00:06:51,344
WITH SNOOP, AND YOU KNOW,

312
00:06:51,344 --> 00:06:52,793
I'’M A BIG FAN OF SNOOP, SO.

313
00:06:52,793 --> 00:06:53,793
TRUST ME, IT'’S A GREAT

314
00:06:53,793 --> 00:06:55,000
SITUATION FOR HIS CAREER.

315
00:06:55,000 --> 00:06:56,241
IT'’S [bleep] CRACK.

316
00:06:56,241 --> 00:06:56,931
LOVE YOU, [bleep].

317
00:06:56,931 --> 00:07:00,034
LOVE YOU TOO.

318
00:07:00,034 --> 00:07:05,724
[bleep] LET'’S TURN IT UP, HEY.

319
00:07:05,724 --> 00:07:06,931
WHAT YOU DOIN'’ STILL ASLEEP?

320
00:07:06,931 --> 00:07:08,689
MY HEAD IS KILLIN'’ ME.

321
00:07:08,689 --> 00:07:10,344
THAT AIN'’T MY PROBLEM.

322
00:07:10,344 --> 00:07:11,000
AFTER A NIGHT

323
00:07:11,000 --> 00:07:12,551
OF HAVIN'’ MAD DRINKS AND SHOUT

324
00:07:12,551 --> 00:07:13,965
WITH THE BOYS, THE LAST THING

325
00:07:13,965 --> 00:07:15,793
ANY MAN NEED IS TO BE WOKEN UP

326
00:07:15,793 --> 00:07:17,586
BY THE PUERTO RICAN ALARM CLOCK.

327
00:07:17,586 --> 00:07:18,241
THEY HAD

328
00:07:18,241 --> 00:07:19,965
A BACHELOR PARTY FOR Z.

329
00:07:19,965 --> 00:07:21,034
IT WAS CRAZY?

330
00:07:21,034 --> 00:07:21,862
DID YOU [bleep] THEA WHILE

331
00:07:21,862 --> 00:07:23,000
YOU WAS IN THE BACHELOR'’S PARTY?

332
00:07:23,000 --> 00:07:23,689
IT WAS ONLY US GUYS.

333
00:07:23,689 --> 00:07:24,344
WASN'’T SHE--

334
00:07:24,344 --> 00:07:25,000
SHE WASN'’T ONE OF THE--

335
00:07:25,000 --> 00:07:25,931
SHE WASN'’T ONE OF THE STRIPPERS?

336
00:07:25,931 --> 00:07:26,586
IT WAS ME--

337
00:07:26,586 --> 00:07:27,275
SHE WASN'’T ONE

338
00:07:27,275 --> 00:07:28,379
OF THE POLE TWERKERS.

339
00:07:28,379 --> 00:07:29,068
DID YOU [bleep] THE BITCH

340
00:07:29,068 --> 00:07:29,724
BEFORE SHE

341
00:07:29,724 --> 00:07:30,896
GOT MARRIED TO YOUR BESTIE?

342
00:07:30,896 --> 00:07:32,344
NOW, THIS IS ONE COMPLICATION

343
00:07:32,344 --> 00:07:33,379
I DIDN'’T CONSIDER

344
00:07:33,379 --> 00:07:34,517
WHEN ZINO ASKED ME TO BE

345
00:07:34,517 --> 00:07:35,482
HIS BEST MAN.

346
00:07:35,482 --> 00:07:36,448
SEE, JOSELINE STILL

347
00:07:36,448 --> 00:07:37,931
THINKS I SMASHED SHORTY,

348
00:07:37,931 --> 00:07:38,965
AND SHE GETS MADDER

349
00:07:38,965 --> 00:07:40,068
AND MADDER EVERY TIME

350
00:07:40,068 --> 00:07:41,241
SHE HEARS THAT NAME.

351
00:07:41,241 --> 00:07:42,724
JOSELINE BE THE ONE TO STAND UP

352
00:07:42,724 --> 00:07:44,000
WHEN THE MINISTER ASKS, "DOES

353
00:07:44,000 --> 00:07:46,068
ANYBODY HAVE ANY OBJECTIONS?"

354
00:07:46,068 --> 00:07:48,000
SO, BENZINO ASKED YOU TO BE

355
00:07:48,000 --> 00:07:49,275
IN HIS WEDDING WITH THE BITCH

356
00:07:49,275 --> 00:07:49,965
THAT HE'’S

357
00:07:49,965 --> 00:07:51,689
GONNA MARRY, THAT YOU [bleep].

358
00:07:51,689 --> 00:07:52,827
WHAT YOU TALKIN'’ '’BOUT?

359
00:07:52,827 --> 00:07:53,655
BENZINO KNOWS

360
00:07:53,655 --> 00:07:54,965
ALL ABOUT HIS SMASHIN'’,

361
00:07:54,965 --> 00:07:56,103
BUT HE WANTS STEVIE IN THE

362
00:07:56,103 --> 00:07:56,862
WEDDING, TOO.

363
00:07:56,862 --> 00:07:58,034
YOU DUMB [bleep].

364
00:07:58,034 --> 00:07:59,586
YOU LOOKIN'’ REAL [bleep] STUPID.

365
00:07:59,586 --> 00:08:00,241
THAT'’S

366
00:08:00,241 --> 00:08:01,000
WHY YOU SLEEP IN THE DOGHOUSE.

367
00:08:01,000 --> 00:08:01,758
THAT'’S WHY WE AIN'’T

368
00:08:01,758 --> 00:08:02,413
SLEPT TOGETHER IN HOW

369
00:08:02,413 --> 00:08:03,068
LONG?

370
00:08:03,068 --> 00:08:03,758
I HAVE DEFINITELY

371
00:08:03,758 --> 00:08:04,655
BEEN IN THE DOGHOUSE

372
00:08:04,655 --> 00:08:06,068
LONGER THAN I EXPECTED.

373
00:08:06,068 --> 00:08:06,758
AND I

374
00:08:06,758 --> 00:08:08,000
SUSPECT THIS NEWS ABOUT ME GOIN'’

375
00:08:08,000 --> 00:08:08,965
TO L.A. IS GONNA

376
00:08:08,965 --> 00:08:10,000
HAVE ME IN THE DOGHOUSE A

377
00:08:10,000 --> 00:08:11,000
L'’IL BIT LONGER.

378
00:08:11,000 --> 00:08:12,034
I GOT TO TALK TO YOU.

379
00:08:12,034 --> 00:08:13,344
I GOT TO GO OUT OF TOWN.

380
00:08:13,344 --> 00:08:14,379
I GOT TO GO TO L.A.

381
00:08:14,379 --> 00:08:15,482
TO HANDLE SOME BIDNESS.

382
00:08:15,482 --> 00:08:16,896
I GOT TO GET IN THE STUDIO.

383
00:08:16,896 --> 00:08:18,000
WHY YOU GOT TO GO TO L.A.

384
00:08:18,000 --> 00:08:19,000
TO GET IN THE STUIDO?

385
00:08:19,000 --> 00:08:19,655
BECAUSE.

386
00:08:19,655 --> 00:08:20,344
YOU DO WORK FROM HOME.

387
00:08:20,344 --> 00:08:21,206
I'’M GETTIN'’ IN THE STUIDO--

388
00:08:21,206 --> 00:08:22,034
I'’M GETTIN'’ IN STUDIO

389
00:08:22,034 --> 00:08:23,620
WITH MY UNCLE.

390
00:08:23,620 --> 00:08:25,689
WHO THE HELL IS YOUR UNCLE?

391
00:08:25,689 --> 00:08:27,482
SNOOP D-O-DOUBLE-G.

392
00:08:27,482 --> 00:08:28,137
ARE YOU GOIN'’?

393
00:08:28,137 --> 00:08:29,000
I'’M GLAD THAT YOU'’RE GOIN'’

394
00:08:29,000 --> 00:08:30,172
TO DO SOMETHIN'’ PRODUCTIVE, AND

395
00:08:30,172 --> 00:08:30,862
I LOVE SNOOP DOGG,

396
00:08:30,862 --> 00:08:32,000
SO TELL HIM--HEY, WAIT A MINUTE.

397
00:08:32,000 --> 00:08:32,965
WAIT UP, WHY I CAN'’T GO?

398
00:08:32,965 --> 00:08:33,620
'’CAUSE Y'’ALL

399
00:08:33,620 --> 00:08:34,793
COULD PUT ME ON THE REMIX.

400
00:08:34,793 --> 00:08:35,689
I'’LL TAKE YOU NEXT TIME.

401
00:08:35,689 --> 00:08:36,344
OH, OKAY.

402
00:08:36,344 --> 00:08:37,068
WELL, TAKE ME THE NEXT TIME, BUT

403
00:08:37,068 --> 00:08:38,000
AIN'’T NO TELLIN'’ WHAT I'’M GONNA

404
00:08:38,000 --> 00:08:38,689
DO THIS TIME.

405
00:08:38,689 --> 00:08:39,793
SO ONCE I GIVE YOU A CALL THAT

406
00:08:39,793 --> 00:08:40,689
WEEKEND, I'’M GON'’ SEE WHO YOU

407
00:08:40,689 --> 00:08:41,344
WITH.

408
00:08:41,344 --> 00:08:42,000
'’CAUSE TRUST ME,

409
00:08:42,000 --> 00:08:43,103
MY EYES IS REAL CLOSE TO YOU.

410
00:08:43,103 --> 00:08:43,793
I DON'’T KNOW.

411
00:08:43,793 --> 00:08:44,793
I THINK I ASKED ZINO

412
00:08:44,793 --> 00:08:46,103
TO GO, IF I REMEMBER.

413
00:08:46,103 --> 00:08:47,413
YOU ASKED BENZINO TO GO?

414
00:08:47,413 --> 00:08:48,586
YOU WON'’T LET ME GO TO L.A.,

415
00:08:48,586 --> 00:08:49,206
BUT YOU GOIN'’ TO

416
00:08:49,206 --> 00:08:50,275
L.A. WITH GRANDPAPA?

417
00:08:50,275 --> 00:08:51,172
I'’M GLAD THAT'’S WHAT YOU

418
00:08:51,172 --> 00:08:52,448
WANT TO DO, '’CAUSE BELIEVE YOU

419
00:08:52,448 --> 00:08:53,931
ME, BEFORE YOU GOIN'’ OUT OF TOWN

420
00:08:53,931 --> 00:08:54,586
A BITCH

421
00:08:54,586 --> 00:08:56,620
IS GONNA BE OUT THIS HOUSE, BYE.

422
00:08:56,620 --> 00:08:58,586
BYE, MAKE SURE YOU DON'’T TAKE

423
00:08:58,586 --> 00:09:01,896
NONE OF MY THINGS.

424
00:09:01,896 --> 00:09:03,724
YOU'’RE FULL OF [bleep].

425
00:09:03,724 --> 00:09:04,689
♪ DON'’T COME LOOKIN ♪

426
00:09:04,689 --> 00:09:05,482
♪ FOR LOVE

427
00:09:05,482 --> 00:09:07,689
BUT AFTER JOC TRY TO PLAY ME,

428
00:09:07,689 --> 00:09:09,482
NOT ONLY DID I BUY THE SONG

429
00:09:09,482 --> 00:09:10,551
BUT I TOOK YOU

430
00:09:10,551 --> 00:09:11,551
OFF.

431
00:09:11,551 --> 00:09:12,551
YOU KNOW WHAT, JOC?

432
00:09:12,551 --> 00:09:13,517
I'’M GON'’ LEAVE YOUR CAREER

433
00:09:13,517 --> 00:09:15,862
WHERE I FOUND IT, IN THE TRASH.

434
00:09:15,862 --> 00:09:16,517
DO YOU THINK

435
00:09:16,517 --> 00:09:17,448
HE LEAKED THE TAPE?

436
00:09:17,448 --> 00:09:18,965
LIKE, I DON'’T REALLY BELIEVE

437
00:09:18,965 --> 00:09:21,137
THAT HE WOULD [bleep] DO THAT.

438
00:09:21,137 --> 00:09:22,000
WHAT?

439
00:09:22,000 --> 00:09:22,827
GIRL, BELIEVE IT.

440
00:09:22,827 --> 00:09:24,586
HE LEAKED THE TAPE.

441
00:09:24,586 --> 00:09:26,586
THE CHICK HE MARRYING,

442
00:09:26,586 --> 00:09:27,689
I KNOW THE BROAD.

443
00:09:27,689 --> 00:09:28,793
LIKE, KNOW HER?

444
00:09:28,793 --> 00:09:32,689
I DID AT ZINO CRIB.

445
00:09:32,689 --> 00:09:50,758
OH, MY GOD.

446
00:09:50,758 --> 00:09:51,586
THAT'’S RIGHT.

447
00:09:51,586 --> 00:09:52,310
I'’M A SUCKER

448
00:09:52,310 --> 00:09:53,689
FOR LOVE, BUT MOREOVER,

449
00:09:53,689 --> 00:09:54,931
A SUCKER FOR PEACE IN MY

450
00:09:54,931 --> 00:09:55,586
LIFE.

451
00:09:55,586 --> 00:09:56,241
PUERTO RICAN PRINCESS

452
00:09:56,241 --> 00:09:56,931
HAD THIS BEE

453
00:09:56,931 --> 00:09:57,586
IN HER BONNET

454
00:09:57,586 --> 00:09:58,551
ABOUT COMIN'’ TO L.A. TO

455
00:09:58,551 --> 00:09:59,275
MEET SNOOP,

456
00:09:59,275 --> 00:10:00,724
SO WHO BETTER TO MAKE HER HAPPY

457
00:10:00,724 --> 00:10:02,000
THAN THE GOOD GUY?

458
00:10:02,000 --> 00:10:03,793
♪ HOLLYWOOD

459
00:10:03,793 --> 00:10:05,206
♪GONNA BE A STAR ♪

460
00:10:05,206 --> 00:10:07,551
♪UP IN HOLLYWOOD ♪

461
00:10:07,551 --> 00:10:08,896
♪ NEED TO HAVE A STAR

462
00:10:08,896 --> 00:10:11,137
♪DOWN ON HOLLYWOOD ♪

463
00:10:11,137 --> 00:10:12,310
SURPRISE.

464
00:10:12,310 --> 00:10:13,655
GUESS WHO'’S IN L.A.?

465
00:10:13,655 --> 00:10:14,724
YEAH, ME, WHAT'’S Y'’ALL THOUGHT?

466
00:10:14,724 --> 00:10:15,379
I WAS

467
00:10:15,379 --> 00:10:16,517
MAD AT THIS [bleep].

468
00:10:16,517 --> 00:10:17,310
I TOLD MY HUSBAND

469
00:10:17,310 --> 00:10:19,310
IT WAS EITHER GONNA BE ME OR

470
00:10:19,310 --> 00:10:22,000
GRANDPAPA.

471
00:10:22,000 --> 00:10:22,793
YOU PICK.

472
00:10:22,793 --> 00:10:25,068
♪ I KNOW WHY'’RE ON THAT ♪

473
00:10:25,068 --> 00:10:26,206
SO HE WENT WITH THE SMART

474
00:10:26,206 --> 00:10:27,275
WAY AND HE CHOSE TO TAKE ME

475
00:10:27,275 --> 00:10:28,137
BECAUSE HE KNOWS I

476
00:10:28,137 --> 00:10:29,655
WOULDN'’T BE HERE FOR HIM TO PAY.

477
00:10:29,655 --> 00:10:30,862
I LOVE L.A.

478
00:10:30,862 --> 00:10:32,862
I WANT TO LIVE HERE.

479
00:10:32,862 --> 00:10:33,689
YOU WANT TO WHAT?

480
00:10:33,689 --> 00:10:34,827
I WANT TO LIVE HERE.

481
00:10:34,827 --> 00:10:36,344
CHANGE IS ALWAYS GOOD,

482
00:10:36,344 --> 00:10:38,103
BUT I DON'’T KNOW ABOUT LIVIN'’

483
00:10:38,103 --> 00:10:39,068
HERE.

484
00:10:39,068 --> 00:10:40,068
FOR NOW, IT'’S

485
00:10:40,068 --> 00:10:40,965
ABOUT MAKIN'’ MOVES

486
00:10:40,965 --> 00:10:41,620
AND CONNECTIN'’

487
00:10:41,620 --> 00:10:42,551
WITH ALL THE POWER PLAYERS

488
00:10:42,551 --> 00:10:43,206
IN THE

489
00:10:43,206 --> 00:10:44,931
INDUSTRY, LIKE THE SNOOP

490
00:10:44,931 --> 00:10:46,103
D-O-DOUBLE-G.

491
00:10:46,103 --> 00:10:47,724
WHO BETTER THAN THAT?

492
00:10:47,724 --> 00:10:51,137
STEVIE J.

493
00:10:51,137 --> 00:10:52,206
MY FAVORITE.

494
00:10:52,206 --> 00:10:54,137
WHAT'’S UP WITH YOU?

495
00:10:54,137 --> 00:10:54,827
HOW YOU BEEN?

496
00:10:54,827 --> 00:10:55,482
GOOD.

497
00:10:55,482 --> 00:10:56,724
HEY, SNOOP, NICE TO MEET YOU.

498
00:10:56,724 --> 00:10:57,379
HI, BEAUTIFUL.

499
00:10:57,379 --> 00:10:58,344
HOW YOU BEEN?

500
00:10:58,344 --> 00:11:00,655
WHAT'’S UP, MISS LOVELY,

501
00:11:00,655 --> 00:11:03,206
BEAUTIFUL, HERNANDEZ-JORDAN?

502
00:11:03,206 --> 00:11:04,310
THANK YOU.

503
00:11:04,310 --> 00:11:05,000
YOU KNOW, MAN, I GOT

504
00:11:05,000 --> 00:11:05,896
TO GET YOU ON THE AIR, MAN.

505
00:11:05,896 --> 00:11:07,034
I'’D LOVE TO.

506
00:11:07,034 --> 00:11:07,724
WELL, COME ON.

507
00:11:07,724 --> 00:11:08,379
LET'’S GO GET IT, THEN.

508
00:11:08,379 --> 00:11:09,034
I'’M STILL A FAN.

509
00:11:09,034 --> 00:11:09,724
COME ON.

510
00:11:09,724 --> 00:11:10,793
OOH, YOU GOT SOME SEXY GIRLS

511
00:11:10,793 --> 00:11:11,724
IN HERE.

512
00:11:11,724 --> 00:11:12,586
COME ON, THEY'’RE THE WEATHER

513
00:11:12,586 --> 00:11:13,241
GIRLS, YOU KNOW?

514
00:11:13,241 --> 00:11:14,137
I GOT WEATHER GIRLS ON MY

515
00:11:14,137 --> 00:11:14,827
SHOW.

516
00:11:14,827 --> 00:11:15,931
SNOOP AND I LAYIN'’

517
00:11:15,931 --> 00:11:17,310
DOWN THIS TRACK TOMORROW,

518
00:11:17,310 --> 00:11:19,137
BUT TODAY HE'’S GIVIN'’ US AN

519
00:11:19,137 --> 00:11:21,103
INTERVIEW AT HIS OWN PODCAST.

520
00:11:21,103 --> 00:11:21,793
CAN WE MAKE ONE

521
00:11:21,793 --> 00:11:22,448
OF THE WEATHER GIRLS

522
00:11:22,448 --> 00:11:23,551
WALK BY HERE RIGHT NOW?

523
00:11:23,551 --> 00:11:24,206
THIS IS

524
00:11:24,206 --> 00:11:25,931
THE GGN NEWS NETWORK, BABY.

525
00:11:25,931 --> 00:11:26,827
THIS IS MY SHOW.

526
00:11:26,827 --> 00:11:27,448
OKAY.

527
00:11:27,448 --> 00:11:28,620
I LOVE IT. I LOVE IT.

528
00:11:28,620 --> 00:11:29,344
THANKS FOR HAVING US.

529
00:11:29,344 --> 00:11:30,344
COME ON, STEVIE J.

530
00:11:30,344 --> 00:11:31,758
YOU KNOW YOU WELCOME ANY TIME,

531
00:11:31,758 --> 00:11:32,655
LOVE ONE.

532
00:11:32,655 --> 00:11:34,206
WHAT MADE YOU DECIDE TO GET BACK

533
00:11:34,206 --> 00:11:35,931
IN THE LAB AND RECORD?

534
00:11:35,931 --> 00:11:37,137
WELL, I NEVER GOT OUT OF IT,

535
00:11:37,137 --> 00:11:37,931
YOU KNOW WHAT I'’M SAYIN'’,

536
00:11:37,931 --> 00:11:38,586
BUT AT THE END OF THE

537
00:11:38,586 --> 00:11:40,034
DAY I HAD TO DO WHAT I

538
00:11:40,034 --> 00:11:40,931
HAD TO DO IN ORDER

539
00:11:40,931 --> 00:11:42,793
TO MAKE MYSELF RELEVANT AGAIN.

540
00:11:42,793 --> 00:11:43,758
SNOOP IS A PRETTY COOL GUY,

541
00:11:43,758 --> 00:11:44,413
YOU KNOW.

542
00:11:44,413 --> 00:11:45,068
HE'’S BEEN IN THE GAME

543
00:11:45,068 --> 00:11:46,206
FOR, LIKE, I MEAN, 40 YEARS?

544
00:11:46,206 --> 00:11:47,172
SO I'’M EXCITED.

545
00:11:47,172 --> 00:11:48,310
NOW YOU, I WANT TO ASK YOU,

546
00:11:48,310 --> 00:11:50,379
'’CAUSE A LOT OF FEMALES LOVE YOU

547
00:11:50,379 --> 00:11:51,517
AND LOVE HOW YOU GET IN.

548
00:11:51,517 --> 00:11:52,689
HOW DOES IT FEEL NOW

549
00:11:52,689 --> 00:11:53,379
YOU A ROLE MODEL?

550
00:11:53,379 --> 00:11:54,000
AND I KNOW

551
00:11:54,000 --> 00:11:54,965
THAT AIN'’T WHAT YOU DID IT FOR,

552
00:11:54,965 --> 00:11:56,000
BUT THAT'’S WHAT YOU ARE, NOW.

553
00:11:56,000 --> 00:11:57,000
THAT'’S CRAZY.

554
00:11:57,000 --> 00:11:59,310
TO HAVE THE DOGGFATHER SAY

555
00:11:59,310 --> 00:12:00,413
GREAT THINGS ABOUT THE PUERTO

556
00:12:00,413 --> 00:12:02,000
RICAN PRINCESS FEELS AMAZING.

557
00:12:02,000 --> 00:12:02,655
FOR A PERSON LIKE HIM

558
00:12:02,655 --> 00:12:03,586
TO BELIEVE IN ME IT JUST

559
00:12:03,586 --> 00:12:04,551
MEAN A LOT.

560
00:12:04,551 --> 00:12:05,310
THAT WAS A AWESOME

561
00:12:05,310 --> 00:12:06,379
EXPERIENCE, MAN.

562
00:12:06,379 --> 00:12:07,896
YES, SIR, IN A REAL WAY.

563
00:12:07,896 --> 00:12:08,724
SO TOMORROW WE

564
00:12:08,724 --> 00:12:09,379
IN THE LAB, MAN.

565
00:12:09,379 --> 00:12:10,034
YEAH.

566
00:12:10,034 --> 00:12:10,827
KNOW WHAT I'’M SAYIN'’?

567
00:12:10,827 --> 00:12:11,482
I CAN'’T WAIT, MAN.

568
00:12:11,482 --> 00:12:12,206
PUT THE THING DOWN, RIGHT?

569
00:12:12,206 --> 00:12:12,896
PUT THE THING DOWN.

570
00:12:12,896 --> 00:12:13,551
COME ON, MAN..

571
00:12:13,551 --> 00:12:14,206
THE JOINT THAT ME

572
00:12:14,206 --> 00:12:15,793
AND SNOOP DID IS BANANAS,

573
00:12:15,793 --> 00:12:16,724
AND THIS IS A RETURN TO

574
00:12:16,724 --> 00:12:17,517
GREATNESS.

575
00:12:17,517 --> 00:12:18,310
YOU KNOW, I BEEN WAITIN'’

576
00:12:18,310 --> 00:12:19,551
FOR THIS FOR A LONG TIME.

577
00:12:19,551 --> 00:12:20,482
TOMORROW IS

578
00:12:20,482 --> 00:12:22,517
GONNA BE A BIG DAY.

579
00:12:22,517 --> 00:12:23,172
THANKS.

580
00:12:23,172 --> 00:12:24,344
THANK YOU FOR HAVIN'’ US.

581
00:12:24,344 --> 00:12:27,344
[singing Spanish]

582
00:12:27,344 --> 00:12:34,034
♪

583
00:12:34,034 --> 00:12:35,620
THAT SONG IS WHACK.

584
00:12:35,620 --> 00:12:37,689
I'’M ON MY WAY TO L.A.

585
00:12:37,689 --> 00:12:39,068
I GOT THE BAGS PACKED, AND ALL

586
00:12:39,068 --> 00:12:39,862
THE SUDDEN I GET THIS TEXT

587
00:12:39,862 --> 00:12:41,827
SAYIN'’, "YO, BRO, I DON'’T THINK

588
00:12:41,827 --> 00:12:42,758
IT'’D BE A GOOD IDEA FOR

589
00:12:42,758 --> 00:12:43,620
YOU TO COME TO L.A."

590
00:12:43,620 --> 00:12:47,137
FIRST THING COMES TO MY MIND

591
00:12:47,137 --> 00:12:49,034
IS JOSELINE HERNANDEZ.

592
00:12:49,034 --> 00:12:51,000
WHAT ARE YOU DOIN'’?

593
00:12:51,000 --> 00:12:52,482
WHAT ARE YOU SINGIN'’?

594
00:12:52,482 --> 00:12:53,206
I DON'’T KNOW, EITHER,

595
00:12:53,206 --> 00:12:54,896
TRUST ME, BABY, GUESS WHAT.

596
00:12:54,896 --> 00:12:56,482
HUH?

597
00:12:56,482 --> 00:12:57,827
I'’M NOT GOIN'’ TO L.A.

598
00:12:57,827 --> 00:13:00,000
WHY YOU NOT GOIN'’?

599
00:13:00,000 --> 00:13:01,379
YOU ALREADY KNOW WHAT IT IS.

600
00:13:01,379 --> 00:13:03,724
JOSELINE HERNANDEZ.

601
00:13:03,724 --> 00:13:04,379
I DON'’T KNOW

602
00:13:04,379 --> 00:13:05,413
WHY SHE BE ACTIN'’ LIKE THAT.

603
00:13:05,413 --> 00:13:06,241
'’CAUSE SHE'’S [bleep] CRAZY,

604
00:13:06,241 --> 00:13:06,931
MAN.

605
00:13:06,931 --> 00:13:07,655
LIKE, I'’M GETTIN'’ TIRED

606
00:13:07,655 --> 00:13:08,482
OF THIS [bleep].

607
00:13:08,482 --> 00:13:09,344
YOU HEARD THE NEW SONG?

608
00:13:09,344 --> 00:13:10,379
THAT'’S THE SONG I WAS SINGIN'’.

609
00:13:10,379 --> 00:13:12,137
[singing]

610
00:13:12,137 --> 00:13:13,172
I DON'’T KNOW WHAT THE [bleep].

611
00:13:13,172 --> 00:13:13,896
EVEN MY FATHER,

612
00:13:13,896 --> 00:13:14,689
MY FATHER'’S PUERTO RICAN.

613
00:13:14,689 --> 00:13:15,551
HE'’S LIKE, "I DON'’T KNOW WHAT

614
00:13:15,551 --> 00:13:16,310
THE [bleep] SHE'’S SAYIN'’."

615
00:13:16,310 --> 00:13:17,000
YEAH, LIKE,

616
00:13:17,000 --> 00:13:17,862
WHAT LANGUAGE IS SHE SPEAKIN'’?

617
00:13:17,862 --> 00:13:18,655
SHE CAN'’T EVEN CRY

618
00:13:18,655 --> 00:13:20,379
IN ENGLISH.

619
00:13:20,379 --> 00:13:21,137
MY THING IS,

620
00:13:21,137 --> 00:13:23,344
HE'’S FOCUSING ALL ON HER MUSIC,

621
00:13:23,344 --> 00:13:24,620
AND TO BE HONEST WIT'’ YOU,

622
00:13:24,620 --> 00:13:25,275
WE TALKIN'’

623
00:13:25,275 --> 00:13:26,758
ABOUT A GRAMMY-AWARD-WINNING

624
00:13:26,758 --> 00:13:27,827
PRODUCER, LIKE,

625
00:13:27,827 --> 00:13:30,241
HIS REPUTATION IS BEIN'’ SCARRED

626
00:13:30,241 --> 00:13:31,413
BECAUSE HE THINKS THAT SHE'’S A

627
00:13:31,413 --> 00:13:32,379
STAR.

628
00:13:32,379 --> 00:13:33,310
FOR REAL, I'’M NOT GONNA

629
00:13:33,310 --> 00:13:34,344
KEEP GOIN'’ BACK AND FORTH

630
00:13:34,344 --> 00:13:35,965
WITH STEVIE OVER JOSELINE.

631
00:13:35,965 --> 00:13:36,862
IT'’S GETTIN'’ TOO MUCH.

632
00:13:36,862 --> 00:13:37,586
I DIDN'’T WANT TO, LIKE,

633
00:13:37,586 --> 00:13:38,758
SAY ANYTHING UNTIL YOU GOT BACK,

634
00:13:38,758 --> 00:13:40,482
BUT JOSELINE BE

635
00:13:40,482 --> 00:13:43,310
TAKIN'’ SHOTS AT ME ON INSTAGRAM.

636
00:13:43,310 --> 00:13:44,275
WHEN?

637
00:13:44,275 --> 00:13:47,275
LIKE, COUPLE DAYS AGO.

638
00:13:47,275 --> 00:13:48,448
I THINK JOSELINE REALLY

639
00:13:48,448 --> 00:13:49,413
DOES HATE ALTHEA

640
00:13:49,413 --> 00:13:51,344
BECAUSE EVERYTHING THAT JOSELINE

641
00:13:51,344 --> 00:13:53,172
WANTS TO BE, ALTHEA IS.

642
00:13:53,172 --> 00:13:56,689
TALENTED, BEAUTIFUL, STRONG.

643
00:13:56,689 --> 00:13:58,724
WHAT SHE SAY?

644
00:13:58,724 --> 00:14:00,482
LOOK AT ALL OF THIS.

645
00:14:00,482 --> 00:14:01,344
SHE JUST BE SAYIN--

646
00:14:01,344 --> 00:14:02,241
WHAT?

647
00:14:02,241 --> 00:14:02,931
SHE WAS LIKE,

648
00:14:02,931 --> 00:14:03,896
"NOW I GOT TO BEAT YOUR ASS,"

649
00:14:03,896 --> 00:14:04,551
AND ALL OF THAT.

650
00:14:04,551 --> 00:14:05,689
BEAT--BEAT--BEAT YOUR ASS?

651
00:14:05,689 --> 00:14:07,620
RIGHT, ALL OF THIS STUFF.

652
00:14:07,620 --> 00:14:08,931
SO YEAH, SHE'’S LIKE CYBER--

653
00:14:08,931 --> 00:14:10,000
TRYIN'’ TO CYBERBULLY ME,

654
00:14:10,000 --> 00:14:11,068
LIKE, YOU SEEN HER ALL THE TIME

655
00:14:11,068 --> 00:14:12,000
OUT IN PUBLIC, PLEASE.

656
00:14:12,000 --> 00:14:12,724
ALL I KNOW IS THAT SHE

657
00:14:12,724 --> 00:14:13,827
AIN'’T PUTTIN'’ HER HANDS ON YOU.

658
00:14:13,827 --> 00:14:14,931
I'’M SO SICK OF ALL THAT, BAE.

659
00:14:14,931 --> 00:14:15,586
NO, FORGET ABOUT IT.

660
00:14:15,586 --> 00:14:17,103
LET'’S GO SWIMMIN'’.

661
00:14:17,103 --> 00:14:17,896
LET ME PUT MY BATHING SUIT

662
00:14:17,896 --> 00:14:18,551
ON.

663
00:14:18,551 --> 00:14:21,551
PUT THAT BRAZILIAN ONE ON.

664
00:14:21,551 --> 00:14:22,724
I'’LL BE BACK IN A SECOND.

665
00:14:22,724 --> 00:14:23,551
NICE.

666
00:14:23,551 --> 00:14:25,793
INSTAGRAM REALLY ISN'’T THE PLACE

667
00:14:25,793 --> 00:14:26,448
TO TAKE OUT

668
00:14:26,448 --> 00:14:27,482
YOUR FRUSTRATIONS AND

669
00:14:27,482 --> 00:14:29,103
EVERYTHING FOR THE WORLD TO SEE.

670
00:14:29,103 --> 00:14:29,793
BUT HEY,

671
00:14:29,793 --> 00:14:30,724
SOMETIMES, YOU KNOW WHAT I'’M

672
00:14:30,724 --> 00:14:31,379
SAYING, YOU GOT TO DO

673
00:14:31,379 --> 00:14:35,517
WHAT YOU GOT TO DO.

674
00:14:35,517 --> 00:14:36,275
I MEAN, WHAT ABOUT

675
00:14:36,275 --> 00:14:37,275
THE PRODUCTION OF THAT TAPE,

676
00:14:37,275 --> 00:14:37,965
THOUGH?

677
00:14:37,965 --> 00:14:39,448
IT WASN'’T A HOMEMADE TAPE.

678
00:14:39,448 --> 00:14:40,103
THE INITIAL TAPE

679
00:14:40,103 --> 00:14:40,793
WAS HOMEMADE.

680
00:14:40,793 --> 00:14:42,586
THE INITIAL TAPE?

681
00:14:42,586 --> 00:14:43,241
THE INITIAL TAPE.

682
00:14:43,241 --> 00:14:55,793
OH, WAIT.

683
00:14:55,793 --> 00:14:56,793
SO WAKA AND I JUST

684
00:14:56,793 --> 00:14:58,034
DROPPED CHARLIE TO THE AIRPORT.

685
00:14:58,034 --> 00:14:58,689
SHE SPENDS THE

686
00:14:58,689 --> 00:14:59,931
SUMMERS WITH HER DAD,

687
00:14:59,931 --> 00:15:01,206
AND IT'’S HARD FOR US.

688
00:15:01,206 --> 00:15:03,034
WE MISS HER, ESPECIALLY WAKA.

689
00:15:03,034 --> 00:15:04,586
HE MISSES HER MORE THAN ME.

690
00:15:04,586 --> 00:15:07,517
IT'’S SUPER CUTE.

691
00:15:07,517 --> 00:15:08,241
I MISS CHARLIE.

692
00:15:08,241 --> 00:15:11,137
CHARLIE NEED TO COME BACK.

693
00:15:11,137 --> 00:15:12,413
I LOVE HER.

694
00:15:12,413 --> 00:15:13,724
EVERY YEAR THIS COMES AROUND,

695
00:15:13,724 --> 00:15:14,413
SUMMERTIME.

696
00:15:14,413 --> 00:15:15,482
WE HAVE TO DROP HER OFF.

697
00:15:15,482 --> 00:15:17,586
WE GO THROUGH THE SAME THING.

698
00:15:17,586 --> 00:15:18,551
I'’M READY TO GO RIGHT BACK

699
00:15:18,551 --> 00:15:20,310
IN THE AIRPORT AND GET HER.

700
00:15:20,310 --> 00:15:21,413
YOU KNOW, THE HOUSE

701
00:15:21,413 --> 00:15:23,000
IS GONNA FEEL EMPTY AND LONELY

702
00:15:23,000 --> 00:15:23,724
NOW THAT SHE'’S GONE,

703
00:15:23,724 --> 00:15:24,931
BUT WHEN WE HAVE ANOTHER BABY,

704
00:15:24,931 --> 00:15:26,034
WE'’LL HAVE, YOU KNOW,

705
00:15:26,034 --> 00:15:27,103
A LITTLE VOID TO FILL.

706
00:15:27,103 --> 00:15:28,000
AND WHEN CHARLIE COMES BACK

707
00:15:28,000 --> 00:15:30,068
SHE CAN HELP US WITH THE BABY.

708
00:15:30,068 --> 00:15:30,758
GIVE HER SOMEBODY

709
00:15:30,758 --> 00:15:31,896
TO PLAY WITH.

710
00:15:31,896 --> 00:15:34,206
SPEAKING OF THAT, THINK I'’M

711
00:15:34,206 --> 00:15:37,551
GONNA GO TO A FERTILITY CLINIC.

712
00:15:37,551 --> 00:15:38,206
YOU FERTILE.

713
00:15:38,206 --> 00:15:39,482
I KNOW THAT THING FOR REAL.

714
00:15:39,482 --> 00:15:40,172
YOU DON'’T KNOW THAT

715
00:15:40,172 --> 00:15:41,896
UNLESS I'’M HAVING A BABY.

716
00:15:41,896 --> 00:15:43,103
IT WAS, WHAT, NINE YEARS

717
00:15:43,103 --> 00:15:44,034
AGO.

718
00:15:44,034 --> 00:15:45,034
IT'’S BEEN A WHILE SINCE I

719
00:15:45,034 --> 00:15:46,068
BEEN PREGNANT WITH CHARLIE,

720
00:15:46,068 --> 00:15:46,793
SO I JUST WANT TO MAKE SURE

721
00:15:46,793 --> 00:15:48,000
EVERYTHING IS OKAY.

722
00:15:48,000 --> 00:15:49,241
PLUS, DEB KEEPS TALKIN'’

723
00:15:49,241 --> 00:15:50,620
ABOUT TWINS, AND I

724
00:15:50,620 --> 00:15:51,689
DEFINITELY COULD USE SOME HELP

725
00:15:51,689 --> 00:15:52,448
WITH THAT.

726
00:15:52,448 --> 00:15:53,103
YOU MIGHT WANT

727
00:15:53,103 --> 00:15:54,379
TO GET CHECKED TOO, BABY.

728
00:15:54,379 --> 00:15:55,241
YOUR BOY'’S NOT DOIN'’ THAT.

729
00:15:55,241 --> 00:15:56,172
I'’M SORRY, BABY.

730
00:15:56,172 --> 00:15:57,896
YOU DON'’T KNOW.

731
00:15:57,896 --> 00:15:58,689
[bleep] IS NOT TOUCHIN'’

732
00:15:58,689 --> 00:15:59,896
MY [bleep], YOU KNOW.

733
00:15:59,896 --> 00:16:00,586
IT'’S NOT YOUR [bleep],

734
00:16:00,586 --> 00:16:01,862
IT'’S YOUR SPERM.

735
00:16:01,862 --> 00:16:02,586
THEY NOT TOUCHIN'’

736
00:16:02,586 --> 00:16:04,034
THAT WITH NO TOOLS, OR NO--

737
00:16:04,034 --> 00:16:06,241
NO, YOU EJACULATE IN A CUP.

738
00:16:06,241 --> 00:16:06,931
I'’LL HELP YOU DO IT.

739
00:16:06,931 --> 00:16:07,758
IT'’S UNCOMFORTABLE.

740
00:16:07,758 --> 00:16:08,586
I CAN MAKE

741
00:16:08,586 --> 00:16:09,896
THE DOCTOR'’S OFFICE WORK.

742
00:16:09,896 --> 00:16:10,689
I CAN BORROW, LIKE,

743
00:16:10,689 --> 00:16:11,551
A DOCTOR'’S SMOCK,

744
00:16:11,551 --> 00:16:12,206
OR GO

745
00:16:12,206 --> 00:16:13,275
GET A LITTLE DOCTOR UNIFORM,

746
00:16:13,275 --> 00:16:14,034
AND WE CAN JUST SLIDE

747
00:16:14,034 --> 00:16:15,034
INTO THE NEXT ROOM.

748
00:16:15,034 --> 00:16:15,827
WE CAN MAKE THIS FUN,

749
00:16:15,827 --> 00:16:16,482
I MEAN WE MARRIED.

750
00:16:16,482 --> 00:16:17,310
THAT'’S WHAT MARRIED COUPLES DO,

751
00:16:17,310 --> 00:16:18,000
RIGHT?

752
00:16:18,000 --> 00:16:22,034
THEY--THEY HAVE, YOU KNOW, FUN.

753
00:16:22,034 --> 00:16:23,206
TALK ABOUT HOW UGLY MY BABY

754
00:16:23,206 --> 00:16:23,896
IS WITH A NAPPY HEAD.

755
00:16:23,896 --> 00:16:24,551
I CAN'’T--

756
00:16:24,551 --> 00:16:25,517
NO, MY BABY'’S GON'’ BE PRETTY.

757
00:16:25,517 --> 00:16:26,758
I DON'’T KNOW ABOUT YOUR END,

758
00:16:26,758 --> 00:16:27,551
'’BOUT YOUR GENES,

759
00:16:27,551 --> 00:16:30,379
BUT OVER HERE WE

760
00:16:30,379 --> 00:16:35,241
PRODUCE NOTHIN'’ BUT GOOD GENES.

761
00:16:35,241 --> 00:16:37,862
♪ I KNOW YOU WORK HARD

762
00:16:37,862 --> 00:16:40,551
♪ GET YOUR HANDS DIRTY

763
00:16:40,551 --> 00:16:41,206
♪ YOU BE PLAYING

764
00:16:41,206 --> 00:16:43,068
♪ IN THEM STREETS, BUT

765
00:16:43,068 --> 00:16:45,068
♪ DADDY ISN'’T WORTH IT ♪

766
00:16:45,068 --> 00:16:46,448
LISTEN TO YOU.

767
00:16:46,448 --> 00:16:47,793
[imitates singing]

768
00:16:47,793 --> 00:16:49,310
SO MISS KARLIE REDD HAS BEEN

769
00:16:49,310 --> 00:16:51,103
BLOWIN'’ UP MY PHONE, CALLIN'’

770
00:16:51,103 --> 00:16:52,344
ME, ASKING ME WOULD ME

771
00:16:52,344 --> 00:16:53,137
AND KALENNA COME DOWN

772
00:16:53,137 --> 00:16:54,655
TO THE STUDIO, '’CAUSE SHE

773
00:16:54,655 --> 00:16:56,000
HAS SOME BUSINESS DECISION

774
00:16:56,000 --> 00:16:57,034
SHE NEED TO MAKE.

775
00:16:57,034 --> 00:16:58,586
LORD ONLY KNOWS WHAT KARLIE

776
00:16:58,586 --> 00:16:59,758
REDD GOT GOIN'’ ON.

777
00:16:59,758 --> 00:17:01,310
ANYWAY, WHAT THE HELL IS UP?

778
00:17:01,310 --> 00:17:02,000
GIRL,

779
00:17:02,000 --> 00:17:03,620
WHEN JOC AND I WAS ALL GOOD,

780
00:17:03,620 --> 00:17:05,034
WE DID A SONG TOGETHER,

781
00:17:05,034 --> 00:17:06,172
AND HE FEELS

782
00:17:06,172 --> 00:17:07,551
LIKE IT'’S A HIT.

783
00:17:07,551 --> 00:17:09,034
HE TOOK IT TO THE LABEL

784
00:17:09,034 --> 00:17:09,827
AND EVERYTHING.

785
00:17:09,827 --> 00:17:11,586
BUT AFTER HE TRY TO PLAY

786
00:17:11,586 --> 00:17:14,724
ME, A SISTA WENT AND GOT SMART.

787
00:17:14,724 --> 00:17:16,137
HON, T, I BOUGHT THE SONG

788
00:17:16,137 --> 00:17:17,172
FROM THE PRODUCER.

789
00:17:17,172 --> 00:17:19,241
HERE'’S MY CONTRACT.

790
00:17:19,241 --> 00:17:21,689
NOW THE SONG BELONGS TO ME.

791
00:17:21,689 --> 00:17:22,344
NOW THAT WAS

792
00:17:22,344 --> 00:17:23,379
A BOLD-ASS MOVE.

793
00:17:23,379 --> 00:17:24,034
NOW I AIN'’T TRYING

794
00:17:24,034 --> 00:17:24,931
TO KNOCK KARLIE HUSTLE

795
00:17:24,931 --> 00:17:26,275
OR NOTHIN'’, BUT I JUST WANTED

796
00:17:26,275 --> 00:17:27,172
TO KNOW WHAT SHE DOIN'’

797
00:17:27,172 --> 00:17:28,344
WHAT'’S BEST FOR BUSINESS

798
00:17:28,344 --> 00:17:29,068
AND AIN'’T OVER HERE

799
00:17:29,068 --> 00:17:30,689
ON SOME OLD EMOTIONAL SCORNED

800
00:17:30,689 --> 00:17:31,965
FEMALE TYPE [bleep].

801
00:17:31,965 --> 00:17:34,068
NOT ONLY DID I BUY THE SONG,

802
00:17:34,068 --> 00:17:37,379
BUT I TOOK YOU OFF.

803
00:17:37,379 --> 00:17:38,620
YOU'’RE OFF THE SONG.

804
00:17:38,620 --> 00:17:39,413
SO I

805
00:17:39,413 --> 00:17:42,172
PUT YOUNG DRO IN THE SONG.

806
00:17:42,172 --> 00:17:43,551
ARE YOU MAKING A DECISION

807
00:17:43,551 --> 00:17:46,034
BASED ON PERSONAL?

808
00:17:46,034 --> 00:17:48,827
OR IS IT CLEARLY BUSINESS?

809
00:17:48,827 --> 00:17:49,689
AND KEEP IN MIND, HONEY.

810
00:17:49,689 --> 00:17:50,344
AS YOU CAN HEAR,

811
00:17:50,344 --> 00:17:51,758
IT'’S CLEARLY BUSINESS.

812
00:17:51,758 --> 00:17:53,965
NO, BUT YOUR AMMUNITION

813
00:17:53,965 --> 00:17:55,206
FROM THE RIP,

814
00:17:55,206 --> 00:17:56,793
IT'’S ON SOME PERSONAL [bleep],

815
00:17:56,793 --> 00:17:57,655
CORRECT?

816
00:17:57,655 --> 00:17:59,000
YES, ABSOLUTELY.

817
00:17:59,000 --> 00:18:00,482
DO NOT [bleep] WITH ME.

818
00:18:00,482 --> 00:18:01,137
LISTEN TO YOU.

819
00:18:01,137 --> 00:18:02,103
JOC SHOULD KNOW BETTER

820
00:18:02,103 --> 00:18:03,517
THAN TO MESS WITH KARLIE REDD.

821
00:18:03,517 --> 00:18:04,655
I'’M FUN, I'’M

822
00:18:04,655 --> 00:18:06,551
FREAKY, AND I TURN UP.

823
00:18:06,551 --> 00:18:07,206
BUT WHEN IT COME

824
00:18:07,206 --> 00:18:08,000
TO THE BUSINESS?

825
00:18:08,000 --> 00:18:08,655
YOU DON'’T WANT TO

826
00:18:08,655 --> 00:18:09,482
MESS WITH ME.

827
00:18:09,482 --> 00:18:11,172
OKAY, I FEEL YOU,

828
00:18:11,172 --> 00:18:12,620
AND YOU--AND YOUR FEELINGS,

829
00:18:12,620 --> 00:18:13,620
LIKE IT'’S NO TOMORROW.

830
00:18:13,620 --> 00:18:14,413
IN THIS INDUSTRY,

831
00:18:14,413 --> 00:18:15,655
IT'’S BUILT OFF RELATIONSHIPS,

832
00:18:15,655 --> 00:18:16,517
AND PEOPLE WATCH HOW YOU

833
00:18:16,517 --> 00:18:17,137
MOVE.

834
00:18:17,137 --> 00:18:18,413
IT'’S BUILT OFF LOYALTY,

835
00:18:18,413 --> 00:18:19,172
YOU KNOW WHAT I'’M SAYIN'’?

836
00:18:19,172 --> 00:18:19,862
RIGHT, BUT HE

837
00:18:19,862 --> 00:18:21,758
WASN'’T LOYAL TO ME AT ALL.

838
00:18:21,758 --> 00:18:22,413
BUT THAT'’S

839
00:18:22,413 --> 00:18:23,586
ON SOME PERSONAL [bleep].

840
00:18:23,586 --> 00:18:24,965
NO, NO, IT'’S NOT PERSONAL.

841
00:18:24,965 --> 00:18:25,965
SWEETHEART, IT'’S NOT PERSONAL.

842
00:18:25,965 --> 00:18:26,620
WHY NOT?

843
00:18:26,620 --> 00:18:27,275
BECAUSE I'’M GONNA

844
00:18:27,275 --> 00:18:27,965
TELL YOU WHY.

845
00:18:27,965 --> 00:18:30,000
AFTER WE BROKE UP,

846
00:18:30,000 --> 00:18:30,827
I DIDN'’T HEAR NOTHIN'’

847
00:18:30,827 --> 00:18:31,724
ABOUT THE RECORD.

848
00:18:31,724 --> 00:18:33,068
I HAD HIS OWN LAWYER SEND IT

849
00:18:33,068 --> 00:18:34,206
IN WRITIN'’, LIKE, LOOK, IF YOU

850
00:18:34,206 --> 00:18:35,000
AIN'’T GONNA DO NOTHIN'’ WITH

851
00:18:35,000 --> 00:18:36,551
THE RECORD, WE NEED TO KNOW.

852
00:18:36,551 --> 00:18:37,379
AND THERE WAS NO RESPONSE.

853
00:18:37,379 --> 00:18:38,034
NO RESPONSE.

854
00:18:38,034 --> 00:18:38,724
OKAY, WELL,

855
00:18:38,724 --> 00:18:39,413
BUSINESS IS BUSINESS.

856
00:18:39,413 --> 00:18:40,068
YOU DONE, THEN.

857
00:18:40,068 --> 00:18:41,827
WHAT WE TALKIN'’ ABOUT?

858
00:18:41,827 --> 00:18:42,827
I HOPE KARLIE'’S TELLIN'’

859
00:18:42,827 --> 00:18:44,137
THE TRUTH ABOUT WHAT SHE DID

860
00:18:44,137 --> 00:18:45,379
AND HOW SHE DID IT.

861
00:18:45,379 --> 00:18:46,137
THE MUSIC INDUSTRY IS

862
00:18:46,137 --> 00:18:47,034
UNFORGIVING.

863
00:18:47,034 --> 00:18:47,862
IF SHE PULLS A STUNT

864
00:18:47,862 --> 00:18:49,689
LIKE THIS ON JOC, THIS SINGLE

865
00:18:49,689 --> 00:18:50,620
MIGHT BE THE ONLY THING

866
00:18:50,620 --> 00:18:52,000
SHE EVER RELEASES.

867
00:18:52,000 --> 00:18:53,034
SO WHEN YOU TOLD JOC YOU WAS

868
00:18:53,034 --> 00:18:53,965
TAKIN'’ HIM OFF THE RECORD,

869
00:18:53,965 --> 00:18:55,586
WHAT DID HE SAY?

870
00:18:55,586 --> 00:18:56,620
HE DOESN'’T KNOW.

871
00:18:56,620 --> 00:18:57,344
WHAT?

872
00:18:57,344 --> 00:18:58,241
HE HASN'’T RETURNED

873
00:18:58,241 --> 00:18:59,793
A CALL, A TEXT,

874
00:18:59,793 --> 00:19:01,517
HIS OWN LAWYER'’S CALLS,

875
00:19:01,517 --> 00:19:02,862
BUT HE SHALL SOON

876
00:19:02,862 --> 00:19:05,068
FIND OUT.

877
00:19:05,068 --> 00:19:07,137
I'’M GONNA COVER MY TRACKS AGAIN

878
00:19:07,137 --> 00:19:07,896
AND INVITE HIM

879
00:19:07,896 --> 00:19:08,827
TO THE VIDEO SHOOT.

880
00:19:08,827 --> 00:19:09,586
THAT'’S [bleep] PERFECT.

881
00:19:09,586 --> 00:19:10,310
WHEN YOU DOIN'’ THE VIDEO?

882
00:19:10,310 --> 00:19:11,689
I'’M DOIN'’ THAT, LIKE, ASAP.

883
00:19:11,689 --> 00:19:13,827
IT IS ALL ABOUT THE BUSINESS.

884
00:19:13,827 --> 00:19:14,482
[bleep], YOU WASTIN'’

885
00:19:14,482 --> 00:19:19,241
VALUABLE STUDIO TIME.

886
00:19:19,241 --> 00:19:24,931
[hip-hop music playing]

887
00:19:24,931 --> 00:19:25,586
HI, BOO.

888
00:19:25,586 --> 00:19:26,275
HEY, BOO.

889
00:19:26,275 --> 00:19:27,310
HI, BOOS.

890
00:19:27,310 --> 00:19:28,000
HEY, HOW ARE YOU?

891
00:19:28,000 --> 00:19:31,413
I'’M DEALING.

892
00:19:31,413 --> 00:19:32,620
THERE'’S NO POINT IN ME TRYING

893
00:19:32,620 --> 00:19:33,517
TO KEEP NIKKO'’S MARRIAGE A

894
00:19:33,517 --> 00:19:34,172
SECRET.

895
00:19:34,172 --> 00:19:36,344
IT'’S ALL OVER THE INTERNET.

896
00:19:36,344 --> 00:19:37,068
SO I'’M GONNA

897
00:19:37,068 --> 00:19:38,482
TELL ARIANE AND ERICA

898
00:19:38,482 --> 00:19:39,517
EVERYTHING BEFORE THEY

899
00:19:39,517 --> 00:19:40,965
GET A CHANCE TO ASK ME.

900
00:19:40,965 --> 00:19:42,310
THIS IS GONNA BE HARD FOR ME,

901
00:19:42,310 --> 00:19:44,172
BECAUSE THESE TWO HAVE HATED

902
00:19:44,172 --> 00:19:45,862
NIKKO SINCE THE BEGINNING.

903
00:19:45,862 --> 00:19:46,586
OKAY, FIRST THINGS

904
00:19:46,586 --> 00:19:47,655
FIRST.

905
00:19:47,655 --> 00:19:48,586
I DON'’T WANT ANY

906
00:19:48,586 --> 00:19:50,068
"I TOLD YOU SO"S.

907
00:19:50,068 --> 00:19:51,137
I CAN'’T MAKE PROMISES

908
00:19:51,137 --> 00:19:52,137
LIKE THAT, BUT GO AHEAD.

909
00:19:52,137 --> 00:19:53,172
ARIANE.

910
00:19:53,172 --> 00:19:54,068
JUST SAY YOU'’LL TRY.

911
00:19:54,068 --> 00:19:54,758
I'’LL TRY.

912
00:19:54,758 --> 00:19:55,724
OKAY.

913
00:19:55,724 --> 00:19:56,965
LET ME JUST GIVE IT TO YOU

914
00:19:56,965 --> 00:19:57,620
STRAIGHT.

915
00:19:57,620 --> 00:19:58,517
OKAY.

916
00:19:58,517 --> 00:20:01,517
SO MY BOYFRIEND

917
00:20:01,517 --> 00:20:03,448
IS MARRIED.

918
00:20:03,448 --> 00:20:06,241
NO.

919
00:20:06,241 --> 00:20:07,551
HOW LONG?

920
00:20:07,551 --> 00:20:10,689
SINCE '’07.

921
00:20:10,689 --> 00:20:12,586
HE'’S THE GREATEST MANIPULATOR

922
00:20:12,586 --> 00:20:13,931
WALKING.

923
00:20:13,931 --> 00:20:14,758
I PICKED UP

924
00:20:14,758 --> 00:20:15,517
ON HIS BULL[bleep] THE

925
00:20:15,517 --> 00:20:17,413
MOMENT I FIRST MET HIM.

926
00:20:17,413 --> 00:20:18,724
ALL HE'’S CONTINUOUSLY

927
00:20:18,724 --> 00:20:21,137
DONE IS PROVEN HIMSELF TO BE

928
00:20:21,137 --> 00:20:23,172
THE SCUMBAG PARASITE

929
00:20:23,172 --> 00:20:25,379
THAT I'’VE ALWAYS THOUGHT HE WAS.

930
00:20:25,379 --> 00:20:27,655
HE SAYS THAT HE'’S WITH ME,

931
00:20:27,655 --> 00:20:29,034
AND HE WASN'’T GONNA

932
00:20:29,034 --> 00:20:30,448
SAY ANYTHING '’CAUSE HE

933
00:20:30,448 --> 00:20:31,448
WAS GONNA GET A DIVORCE.

934
00:20:31,448 --> 00:20:32,103
AND YOU BELIEVE HIM?

935
00:20:32,103 --> 00:20:32,862
I'’M TELLIN'’ YOU

936
00:20:32,862 --> 00:20:33,758
WHAT CAME OUT OF HIS MOUTH.

937
00:20:33,758 --> 00:20:34,413
OKAY.

938
00:20:34,413 --> 00:20:36,413
WHEN DID YOU FIND OUT?

939
00:20:36,413 --> 00:20:37,758
HOW?

940
00:20:37,758 --> 00:20:39,310
IT WAS ON SOCIAL MEDIA.

941
00:20:39,310 --> 00:20:40,517
WHEN YOU FOUND OUT

942
00:20:40,517 --> 00:20:42,000
VIA SOCIAL MEDIA--

943
00:20:42,000 --> 00:20:42,724
I CONFRONTED HIM.

944
00:20:42,724 --> 00:20:44,586
HE WAS VERY NONCHALANT ABOUT IT.

945
00:20:44,586 --> 00:20:45,517
LIKE IT WAS NOTHING.

946
00:20:45,517 --> 00:20:46,448
LIKE, YEAH.

947
00:20:46,448 --> 00:20:47,793
OKAY, I'’M MARRIED, BASICALLY.

948
00:20:47,793 --> 00:20:48,448
SO WHAT?

949
00:20:48,448 --> 00:20:49,103
GET OVER IT.

950
00:20:49,103 --> 00:20:49,931
LIKE, WHAT'’S THE BIG DEAL?

951
00:20:49,931 --> 00:20:51,034
AS MUCH AS I BLAME MIMI

952
00:20:51,034 --> 00:20:51,724
FOR THE CHOICES

953
00:20:51,724 --> 00:20:53,000
SHE'’S MADE IN HER LIFE, HOW WAS

954
00:20:53,000 --> 00:20:53,655
SHE SUPPOSED TO KNOW

955
00:20:53,655 --> 00:20:55,034
THAT HER BOYFRIEND WAS MARRIED?

956
00:20:55,034 --> 00:20:56,275
THAT'’S JUST CRAZY.

957
00:20:56,275 --> 00:20:57,310
MIMI HAS BEEN GOING

958
00:20:57,310 --> 00:20:59,000
THROUGH ISSUE ON TOP OF ISSUE.

959
00:20:59,000 --> 00:21:00,034
AND IT REALLY SEEMS LIKE

960
00:21:00,034 --> 00:21:01,724
NIKKO WAS THE BEGINNING

961
00:21:01,724 --> 00:21:02,655
OF HER DOWNFALL.

962
00:21:02,655 --> 00:21:04,310
I MEAN, SO MUCH STUFF HAS BEEN

963
00:21:04,310 --> 00:21:06,896
SURFACED AND LEAKED, I MEAN.

964
00:21:06,896 --> 00:21:08,482
AND IT ALL INVOLVES HIM.

965
00:21:08,482 --> 00:21:09,724
WHAT BOTHERS ME

966
00:21:09,724 --> 00:21:10,862
THE MOST ABOUT THIS IS

967
00:21:10,862 --> 00:21:12,206
I WAS DEFENDING HIM.

968
00:21:12,206 --> 00:21:14,103
I DEFENDED HIM TO YOU GUYS

969
00:21:14,103 --> 00:21:16,758
OVER AND OVER AND OVER AGAIN.

970
00:21:16,758 --> 00:21:18,965
I FEEL DISRESPECTED.

971
00:21:18,965 --> 00:21:20,827
I FEEL PLAYED.

972
00:21:20,827 --> 00:21:23,137
THIS TAPE?

973
00:21:23,137 --> 00:21:24,896
PURPOSELY DONE.

974
00:21:24,896 --> 00:21:25,551
DO YOU THINK

975
00:21:25,551 --> 00:21:26,896
HE LEAKED THE TAPE?

976
00:21:26,896 --> 00:21:28,172
LIKE, I DON'’T WANT TO BELIEVE

977
00:21:28,172 --> 00:21:30,310
THAT HE WOULD [bleep] DO THAT.

978
00:21:30,310 --> 00:21:31,275
WHAT?

979
00:21:31,275 --> 00:21:32,034
GIRL, BELIEVE IT.

980
00:21:32,034 --> 00:21:34,448
'’CAUSE IF HE WAS MARRIED,

981
00:21:34,448 --> 00:21:35,448
AND HE DONE STRUNG YOU ALONG

982
00:21:35,448 --> 00:21:36,103
LIKE A LIL PUPPY

983
00:21:36,103 --> 00:21:37,965
THIS WHOLE TIME?

984
00:21:37,965 --> 00:21:39,413
HE LEAKED THE TAPE.

985
00:21:39,413 --> 00:21:41,482
IF MIMI IS EVER GOING

986
00:21:41,482 --> 00:21:42,689
TO UNDERSTAND WHO SHE'’S DEALING

987
00:21:42,689 --> 00:21:44,000
WITH, THE TIME IS

988
00:21:44,000 --> 00:21:45,103
RIGHT NOW.

989
00:21:45,103 --> 00:21:46,034
HE'’S MARRIED.

990
00:21:46,034 --> 00:21:47,344
HE LEAKED THE TAPE.

991
00:21:47,344 --> 00:21:49,448
HE USED YOU, PERIOD.

992
00:21:49,448 --> 00:21:50,379
MIMI, WHAT ABOUT THE PRODUCTION

993
00:21:50,379 --> 00:21:51,275
OF THAT TAPE, THOUGH?

994
00:21:51,275 --> 00:21:52,655
'’CAUSE THAT WAS JUST NOT NO

995
00:21:52,655 --> 00:21:53,517
[bleep] TAPE.

996
00:21:53,517 --> 00:21:55,586
IT WASN'’T A HOMEMADE TAPE.

997
00:21:55,586 --> 00:21:56,827
THE INITIAL TAPE

998
00:21:56,827 --> 00:21:58,034
WAS HOMEMADE.

999
00:21:58,034 --> 00:21:59,448
THE INITIAL TAPE.

1000
00:21:59,448 --> 00:22:00,103
OH MY--

1001
00:22:00,103 --> 00:22:02,000
YOU'’VE HAD MULTIPLE TAPES.

1002
00:22:02,000 --> 00:22:03,344
YES.

1003
00:22:03,344 --> 00:22:05,206
OH.

1004
00:22:05,206 --> 00:22:07,310
BOOM. AND THERE IT IS.

1005
00:22:07,310 --> 00:22:08,206
THERE WE GO.

1006
00:22:08,206 --> 00:22:09,172
FOR MONTHS,

1007
00:22:09,172 --> 00:22:11,655
MIMI HAS BEEN DOWN OUR THROATS,

1008
00:22:11,655 --> 00:22:13,724
ADAMANTLY SAYING SHE HAD

1009
00:22:13,724 --> 00:22:17,000
NOTHING TO DO WITH THE SEX TAPE.

1010
00:22:17,000 --> 00:22:19,896
AND NOW THERE'’S A NEW STORY?

1011
00:22:19,896 --> 00:22:21,379
THE COMPANY SAID,

1012
00:22:21,379 --> 00:22:23,793
"WE DON'’T HAVE ENOUGH FOOTAGE."

1013
00:22:23,793 --> 00:22:24,724
BECAUSE IT HAS TO BE

1014
00:22:24,724 --> 00:22:25,379
A CERTAIN AMOUNT

1015
00:22:25,379 --> 00:22:27,482
OF FOOTAGE TO SELL.

1016
00:22:27,482 --> 00:22:28,344
SO YOU GUYS WENT BACK

1017
00:22:28,344 --> 00:22:29,655
AND DID ADDITIONAL FOOTAGE.

1018
00:22:29,655 --> 00:22:31,620
CORRECT.

1019
00:22:31,620 --> 00:22:32,551
SO WHY WE DIDN'’T GET

1020
00:22:32,551 --> 00:22:33,724
ALL THIS FROM THE BEGINNING?

1021
00:22:33,724 --> 00:22:34,758
'’CAUSE I DIDN'’T FEEL

1022
00:22:34,758 --> 00:22:36,000
LIKE I NEEDED TO DIVULGE ALL

1023
00:22:36,000 --> 00:22:38,862
THAT FROM THE BEGINNIN'’.

1024
00:22:38,862 --> 00:22:40,344
WOW, THAT'’S A LIE.

1025
00:22:40,344 --> 00:22:41,758
MIMI HAS BEEN FLAT-OUT LYIN'’

1026
00:22:41,758 --> 00:22:43,551
TO US SINCE DAY ONE.

1027
00:22:43,551 --> 00:22:45,344
MAKES ME WONDER WHAT ELSE HAVE

1028
00:22:45,344 --> 00:22:46,862
YOU BEEN LYIN'’ TO US ABOUT?

1029
00:22:46,862 --> 00:22:48,000
HE AND HIS WIFE,

1030
00:22:48,000 --> 00:22:48,931
THEY'’RE IN CAHOOTS

1031
00:22:48,931 --> 00:22:50,275
BEHIND ALL OF THIS.

1032
00:22:50,275 --> 00:22:51,206
I'’M SORRY.

1033
00:22:51,206 --> 00:22:51,896
I HAVE--

1034
00:22:51,896 --> 00:22:53,827
I HAVE TO AGREE WITH YOU.

1035
00:22:53,827 --> 00:22:55,137
THIS IS A WHOLE SET UP.

1036
00:22:55,137 --> 00:22:56,068
THIS IS A WHOLE--

1037
00:22:56,068 --> 00:22:57,482
A PLAYIN'’.

1038
00:22:57,482 --> 00:22:59,310
AND WHAT EATS ME UP IS YOU COULD

1039
00:22:59,310 --> 00:23:01,448
HAVE GOT ANY RANDOM-ASS HO OUT

1040
00:23:01,448 --> 00:23:02,103
HERE.

1041
00:23:02,103 --> 00:23:03,172
IT'’S SO MANY THIRSTY HOS.

1042
00:23:03,172 --> 00:23:04,379
BUT YOU GOT A MOTHER.

1043
00:23:04,379 --> 00:23:05,517
WHICH MEANS HE NEVER CARED

1044
00:23:05,517 --> 00:23:07,344
ABOUT YOU OR EVA.

1045
00:23:07,344 --> 00:23:08,000
AND THAT [bleep]

1046
00:23:08,000 --> 00:23:09,827
IS NOT HELPING ME, PERIOD.

1047
00:23:09,827 --> 00:23:10,758
AIN'’T NOBODY HELPING ME BUT

1048
00:23:10,758 --> 00:23:12,586
ME.

1049
00:23:12,586 --> 00:23:13,965
OKAY.

1050
00:23:13,965 --> 00:23:15,655
SO WE GON'’ CONTINUE TO [bleep].

1051
00:23:15,655 --> 00:23:16,896
I MADE THE DECISION I MADE, AND

1052
00:23:16,896 --> 00:23:18,482
THAT'’S WHAT THE [bleep] IT IS.

1053
00:23:18,482 --> 00:23:20,413
PERIOD.

1054
00:23:20,413 --> 00:23:21,310
MY BACK WAS AGAINST THE WALL,

1055
00:23:21,310 --> 00:23:22,000
AND I HAD

1056
00:23:22,000 --> 00:23:22,655
TO MAKE A CHOICE.

1057
00:23:22,655 --> 00:23:23,310
GOT THAT.

1058
00:23:23,310 --> 00:23:24,000
DO YOU?

1059
00:23:24,000 --> 00:23:25,068
I HAVE THAT.

1060
00:23:25,068 --> 00:23:26,655
LET'’S BE CLEAR, '’CAUSE YOU

1061
00:23:26,655 --> 00:23:27,517
GOT ME [bleep]ED UP RIGHT NOW.

1062
00:23:27,517 --> 00:23:28,172
NO, I DON'’T.

1063
00:23:28,172 --> 00:23:28,931
YEAH, YOU DO.

1064
00:23:28,931 --> 00:23:29,896
STOP.

1065
00:23:29,896 --> 00:23:31,931
UNTIL YOU ARE IN MY SHOES,

1066
00:23:31,931 --> 00:23:33,862
YOU CAN NOT SAY [bleep] TO ME.

1067
00:23:33,862 --> 00:23:34,517
OKAY.

1068
00:23:34,517 --> 00:23:35,586
I'’M READY TO GO, OKAY?

1069
00:23:35,586 --> 00:23:38,034
I HAD ENOUGH.

1070
00:23:38,034 --> 00:23:38,793
ARIANE AND ERICA

1071
00:23:38,793 --> 00:23:39,448
KNOW EXACTLY WHAT

1072
00:23:39,448 --> 00:23:40,103
I'’VE BEEN THROUGH

1073
00:23:40,103 --> 00:23:41,068
THESE PAST COUPLE OF WEEKS,

1074
00:23:41,068 --> 00:23:42,275
AND FOR THEM TO SIT HERE AND

1075
00:23:42,275 --> 00:23:43,689
JUST JUDGE ME SOME MORE?

1076
00:23:43,689 --> 00:23:45,172
IT'’S JUST TOO MUCH FOR ME,

1077
00:23:45,172 --> 00:23:46,655
AND I DON'’T HAVE TO LISTEN

1078
00:23:46,655 --> 00:23:47,413
TO IT.

1079
00:23:47,413 --> 00:23:49,344
THE MAIN THING NOW IS WE GOT

1080
00:23:49,344 --> 00:23:50,793
TO LOOK AT YOUR HUSBAND.

1081
00:23:50,793 --> 00:23:51,620
WE HAVE TO BASICALLY SEE

1082
00:23:51,620 --> 00:23:54,482
IF MY HUSBAND IS NOT POLLUTED.

1083
00:23:54,482 --> 00:23:55,482
I HURT JOSELINE SO MUCH.

1084
00:23:55,482 --> 00:23:56,206
I JUST DON'’T WANT

1085
00:23:56,206 --> 00:24:04,896
TO HURT HER NO MORE.

1086
00:24:04,896 --> 00:24:06,862
♪A HARD BAIT ♪

1087
00:24:06,862 --> 00:24:09,517
♪UNDER THE MOONLIGHT ♪

1088
00:24:09,517 --> 00:24:11,310
♪ A COOL TOUCH

1089
00:24:11,310 --> 00:24:13,241
♪ BREAKING THE SILENCE

1090
00:24:13,241 --> 00:24:15,793
♪ AS THE STARS ALIGN

1091
00:24:15,793 --> 00:24:19,000
♪ WE CAN WATCH THE SPARKS FLY

1092
00:24:19,000 --> 00:24:25,000
♪ TWO BODIES BREATHE

1093
00:24:25,000 --> 00:24:27,689
♪ AND MOVE AT THE SAME TIME

1094
00:24:27,689 --> 00:24:28,965
THE DOCTOR'’S OFFICE,

1095
00:24:28,965 --> 00:24:30,344
THE NEEDLES, THE TESTS,

1096
00:24:30,344 --> 00:24:31,724
IT'’S ALL NERVE-WRACKING,

1097
00:24:31,724 --> 00:24:32,931
BUT IT'’S NECESSARY.

1098
00:24:32,931 --> 00:24:34,103
I KNOW I CAN GET PREGNANT.

1099
00:24:34,103 --> 00:24:35,241
I MEAN, I HAVE CHARLIE.

1100
00:24:35,241 --> 00:24:36,413
BUT THE FACT IS,

1101
00:24:36,413 --> 00:24:37,448
WE'’VE BEEN TRYING, AND I

1102
00:24:37,448 --> 00:24:38,758
HAVEN'’T GOTTEN PREGNANT YET.

1103
00:24:38,758 --> 00:24:39,586
SO I NEED TO MAKE SURE

1104
00:24:39,586 --> 00:24:40,241
THAT EVERYTHING

1105
00:24:40,241 --> 00:24:43,000
IS OKAY WITH BOTH ME AND WAKA.

1106
00:24:43,000 --> 00:24:44,034
WE'’VE GOT SOME OF YOUR TESTS

1107
00:24:44,034 --> 00:24:44,724
BACK.

1108
00:24:44,724 --> 00:24:45,379
THEY LOOK FINE.

1109
00:24:45,379 --> 00:24:46,275
THERE'’S NO EVIDENCE

1110
00:24:46,275 --> 00:24:48,413
OF POLLUTION OR INFECTION

1111
00:24:48,413 --> 00:24:49,689
OR PROBLEMS THAT, UH...

1112
00:24:49,689 --> 00:24:50,724
THANK YOU.

1113
00:24:50,724 --> 00:24:51,862
YOU HAPPY?

1114
00:24:51,862 --> 00:24:52,965
I'’M NOT POLLUTED.

1115
00:24:52,965 --> 00:24:54,620
THAT MIGHT GET IN THE WAY.

1116
00:24:54,620 --> 00:24:56,931
BUT THE MAIN THING NOW IS WE GOT

1117
00:24:56,931 --> 00:24:58,275
TO LOOK AT YOUR HUSBAND.

1118
00:24:58,275 --> 00:24:59,172
WE HAVE TO BASICALLY SEE

1119
00:24:59,172 --> 00:25:00,517
IF MY HUSBAND IS NOT POLLUTED.

1120
00:25:00,517 --> 00:25:01,758
YEAH, WE'’VE GOT TO TALK

1121
00:25:01,758 --> 00:25:03,448
ABOUT, YOU KNOW,

1122
00:25:03,448 --> 00:25:06,482
DRUGS, ALCOHOL, WHAT YOUR SEX

1123
00:25:06,482 --> 00:25:07,448
LIFE IS LIKE.

1124
00:25:07,448 --> 00:25:08,103
OKAY.

1125
00:25:08,103 --> 00:25:09,931
AND, I DON'’T KNOW.

1126
00:25:09,931 --> 00:25:10,931
THAT'’S SOME PRETTY

1127
00:25:10,931 --> 00:25:11,931
PERSONAL STUFF HERE.

1128
00:25:11,931 --> 00:25:14,103
YEAH, SO DEB,

1129
00:25:14,103 --> 00:25:14,931
DO YOU MIND?

1130
00:25:14,931 --> 00:25:15,586
ALL RIGHT,

1131
00:25:15,586 --> 00:25:16,517
SO JUST ADD MY OWN QUESTION,

1132
00:25:16,517 --> 00:25:17,724
THEN I CAN LEAVE.

1133
00:25:17,724 --> 00:25:19,034
OKAY.

1134
00:25:19,034 --> 00:25:19,689
IS THERE ANY WAY

1135
00:25:19,689 --> 00:25:20,586
THAT YOU COULD PLANT THREE

1136
00:25:20,586 --> 00:25:22,689
IN THERE AT ONE TIME?

1137
00:25:22,689 --> 00:25:23,827
NO.

1138
00:25:23,827 --> 00:25:25,103
DEB HAS LOST HER MIND.

1139
00:25:25,103 --> 00:25:26,172
SHE CAN HAVE THREE KIDS

1140
00:25:26,172 --> 00:25:27,137
IF SHE WANTS TO.

1141
00:25:27,137 --> 00:25:28,551
I MEAN, WE WAS PUSHIN'’ IT WITH

1142
00:25:28,551 --> 00:25:29,862
TWO, BUT THREE?

1143
00:25:29,862 --> 00:25:30,827
NO.

1144
00:25:30,827 --> 00:25:31,482
I WAS VERY FERTILE,

1145
00:25:31,482 --> 00:25:32,137
SO I DON'’T THINK

1146
00:25:32,137 --> 00:25:35,172
MY SON'’S GONNA BE ANY PROBLEM.

1147
00:25:35,172 --> 00:25:36,034
MOST OF MY CONCERN

1148
00:25:36,034 --> 00:25:37,275
WITH MY HUSBAND

1149
00:25:37,275 --> 00:25:38,793
IS THAT, COUPLE YEARS AGO HE WAS

1150
00:25:38,793 --> 00:25:40,758
SHOT, AND HE KIND OF FLATLINED

1151
00:25:40,758 --> 00:25:41,655
AND CAME BACK TO LIFE.

1152
00:25:41,655 --> 00:25:43,103
HE WAS PARALYZED ON ONE

1153
00:25:43,103 --> 00:25:43,931
SIDE, AND HE WAS ON A LOT

1154
00:25:43,931 --> 00:25:44,758
OF MEDICATIONS.

1155
00:25:44,758 --> 00:25:45,724
COULD THAT BE A FACTOR

1156
00:25:45,724 --> 00:25:46,724
IN ME GETTING

1157
00:25:46,724 --> 00:25:47,551
PREGNANT?

1158
00:25:47,551 --> 00:25:48,517
WELL, THAT CERTAINLY

1159
00:25:48,517 --> 00:25:49,172
CAN BE A FACTOR.

1160
00:25:49,172 --> 00:25:49,862
WHAT ABOUT COMING

1161
00:25:49,862 --> 00:25:50,793
INTO THE FERTILITY

1162
00:25:50,793 --> 00:25:52,620
CLINIC TO DO THE SEMEN ANALYSIS?

1163
00:25:52,620 --> 00:25:53,275
I DON'’T KNOW

1164
00:25:53,275 --> 00:25:54,689
HOW HE WILL FEEL ABOUT THAT.

1165
00:25:54,689 --> 00:25:56,379
WE NEED HIM TO ABSTAIN

1166
00:25:56,379 --> 00:25:57,517
FOR AT LEAST TWO DAYS

1167
00:25:57,517 --> 00:25:58,517
BEFORE WE DO THE SEMEN

1168
00:25:58,517 --> 00:25:59,413
ANALYSIS.

1169
00:25:59,413 --> 00:26:00,827
RIGHT. OKAY.

1170
00:26:00,827 --> 00:26:02,068
I'’M TRYING TO IMAGINE TELLING

1171
00:26:02,068 --> 00:26:03,206
WAKA HE CAN'’T HAVE NONE FOR

1172
00:26:03,206 --> 00:26:05,000
TWO DAYS, BUT A MAN'’S GOT TO DO

1173
00:26:05,000 --> 00:26:05,689
WHAT HE HAS TO DO.

1174
00:26:05,689 --> 00:26:06,448
I MEAN, HE WANTS THESE

1175
00:26:06,448 --> 00:26:07,275
BABIES.

1176
00:26:07,275 --> 00:26:08,344
SO WHAT IS THE PROCESS?

1177
00:26:08,344 --> 00:26:10,241
LIKE, HOW DO YOU GET THE SPERM?

1178
00:26:10,241 --> 00:26:12,172
SOMETIMES THE GUYS LIKE HELP.

1179
00:26:12,172 --> 00:26:13,586
BUT WE HAVE A QUIET,

1180
00:26:13,586 --> 00:26:14,931
SOUNDPROOFED ROOM.

1181
00:26:14,931 --> 00:26:16,241
WE HAVE MAGAZINES.

1182
00:26:16,241 --> 00:26:17,275
WE HAVE VIDEOS.

1183
00:26:17,275 --> 00:26:18,068
WE WOULD HAVE A CUP

1184
00:26:18,068 --> 00:26:19,310
BACK THERE LIKE THIS,

1185
00:26:19,310 --> 00:26:20,862
AND HE CAN PROVIDE THE SPECIMEN.

1186
00:26:20,862 --> 00:26:21,517
I'’M SURE

1187
00:26:21,517 --> 00:26:23,034
HE'’S GONNA BE SUPPORTIVE, BUT

1188
00:26:23,034 --> 00:26:24,206
YOU'’VE GOT SOME SWEET-TALKING

1189
00:26:24,206 --> 00:26:28,172
TO DO BETWEEN NOW AND THEN.

1190
00:26:28,172 --> 00:26:34,517
YEAH, I THINK I GOT IT.

1191
00:26:34,517 --> 00:26:36,655
♪ CUT FROM THE SAME CLOTH

1192
00:26:36,655 --> 00:26:37,413
♪ IT AIN'’T '’BOUT ♪

1193
00:26:37,413 --> 00:26:39,000
♪ WHAT THE GAME COSTS

1194
00:26:39,000 --> 00:26:39,655
♪ I COME FROM A

1195
00:26:39,655 --> 00:26:41,206
♪ BLOODLINE OF LEADERS

1196
00:26:41,206 --> 00:26:43,620
♪ TO BE HONEST, I WANT ANOTHER

1197
00:26:43,620 --> 00:26:45,068
♪ COUNT THE PROMISE TO

1198
00:26:45,068 --> 00:26:46,448
♪ HUNDRED, THOUGH, YES

1199
00:26:46,448 --> 00:26:47,275
♪ WHO'’S TOLD '’EM ♪

1200
00:26:47,275 --> 00:26:48,862
♪ WHAT YOU'’RE THINKING? ♪

1201
00:26:48,862 --> 00:26:50,000
♪ THE WORLD IS MINE

1202
00:26:50,000 --> 00:26:51,379
♪ FOR THE TAKIN'’ ♪

1203
00:26:51,379 --> 00:26:55,068
♪ THE SOUL IS NEVER GON'’ ♪

1204
00:26:55,068 --> 00:26:57,448
♪ BREAK ME, NO

1205
00:26:57,448 --> 00:26:59,000
THINK WE GOT IT, BRO.

1206
00:26:59,000 --> 00:27:00,034
KILLT IT.

1207
00:27:00,034 --> 00:27:00,724
YOU LIKE THAT?

1208
00:27:00,724 --> 00:27:01,448
YEAH.

1209
00:27:01,448 --> 00:27:03,793
WHEN I WROTE THIS JOINT DNA, I

1210
00:27:03,793 --> 00:27:05,241
HAD ONE PERSON IN MIND FOR THIS

1211
00:27:05,241 --> 00:27:06,241
TRACK, AND THAT WAS THE

1212
00:27:06,241 --> 00:27:09,000
DOGGFATHER, SNOOP D-O-DOUBLE-G.

1213
00:27:09,000 --> 00:27:10,310
HE KILLT IT, AND WE

1214
00:27:10,310 --> 00:27:11,413
ABOUT TO WIN IT,

1215
00:27:11,413 --> 00:27:13,000
AND I'’M LOVIN'’ LIFE RIGHT NOW.

1216
00:27:13,000 --> 00:27:14,379
FEELS SO GOOD TO BE BACK IN THE

1217
00:27:14,379 --> 00:27:15,931
LAB, ESPECIALLY WITH A G

1218
00:27:15,931 --> 00:27:17,000
LIKE YOURSELF, MAN.

1219
00:27:17,000 --> 00:27:18,793
FOR YOU, LIKE, SANCTIONIN'’ ME,

1220
00:27:18,793 --> 00:27:19,620
YOU KNOW WHAT I'’M SAYIN'’,

1221
00:27:19,620 --> 00:27:20,620
THAT MEANS A LOT FOR ME.

1222
00:27:20,620 --> 00:27:22,724
AND I APPRECIATE THAT, MAN.

1223
00:27:22,724 --> 00:27:23,379
THANKS FOR JUMPIN'’

1224
00:27:23,379 --> 00:27:24,137
ON THE DNA WITH ME.

1225
00:27:24,137 --> 00:27:25,655
NAW, WE GOT THE SAME DNA.

1226
00:27:25,655 --> 00:27:26,379
IT ONLY MAKES SENSE

1227
00:27:26,379 --> 00:27:27,034
TO GET ON WIT'’ YOU,

1228
00:27:27,034 --> 00:27:27,793
'’CAUSE IT'’S GON'’

1229
00:27:27,793 --> 00:27:28,931
BE SOME CLASSIC MATERIAL,

1230
00:27:28,931 --> 00:27:29,689
AND IT FEELS GOOD.

1231
00:27:29,689 --> 00:27:30,344
THIS IS WHAT YOUR

1232
00:27:30,344 --> 00:27:31,448
BLESSING AND YOUR CALLING

1233
00:27:31,448 --> 00:27:32,241
IS, TO DO MUSIC.

1234
00:27:32,241 --> 00:27:33,413
YOU PLAY SO MANY INSTRUMENTS.

1235
00:27:33,413 --> 00:27:34,620
YOU KNOW HOW TO MAKE THE SOUND.

1236
00:27:34,620 --> 00:27:35,517
SO I WANTED TO BE A INSTRUMENT

1237
00:27:35,517 --> 00:27:36,172
FOR YOU.

1238
00:27:36,172 --> 00:27:37,517
I WANTED TO GIVE YOU MY VOICE

1239
00:27:37,517 --> 00:27:38,379
AND ALLOW MY VOICE

1240
00:27:38,379 --> 00:27:40,103
TO BE A PART OF YOUR ALBUM.

1241
00:27:40,103 --> 00:27:40,965
I'’LL TOAST TO THAT.

1242
00:27:40,965 --> 00:27:42,241
COME ON, MAN, ONE MORE TIME.

1243
00:27:42,241 --> 00:27:43,448
ONE MORE TIME.

1244
00:27:43,448 --> 00:27:45,724
HEY.

1245
00:27:45,724 --> 00:27:46,379
I BEEN IN THE GAME

1246
00:27:46,379 --> 00:27:47,068
FOR A LONG TIME,

1247
00:27:47,068 --> 00:27:47,758
BUT NOT LONG AS

1248
00:27:47,758 --> 00:27:48,413
YOU.

1249
00:27:48,413 --> 00:27:49,344
I USED TO GO TO THE CONCERTS

1250
00:27:49,344 --> 00:27:50,000
AND WATCH YOU,

1251
00:27:50,000 --> 00:27:51,448
AND BACKSTAGE'’D BE LIKE A

1252
00:27:51,448 --> 00:27:52,827
MILLION, BILLION CHICKS

1253
00:27:52,827 --> 00:27:53,482
HANGING AROUND.

1254
00:27:53,482 --> 00:27:54,137
YEAH. YEAH.

1255
00:27:54,137 --> 00:27:55,586
AS YOU GET OLDER, YOU GET WISER.

1256
00:27:55,586 --> 00:27:56,241
YOU DON'’T EVEN GO

1257
00:27:56,241 --> 00:27:56,931
BACKSTAGE.

1258
00:27:56,931 --> 00:27:57,586
WE GO

1259
00:27:57,586 --> 00:27:58,827
TO THE NEXT LOCATION AND TRYIN'’

1260
00:27:58,827 --> 00:28:00,413
TO BE STRONG ENOUGH TO DO

1261
00:28:00,413 --> 00:28:01,655
YOUR SHOW FOR TOMORROW.

1262
00:28:01,655 --> 00:28:03,103
D-O-DOUBLE-G IS DROPPIN'’

1263
00:28:03,103 --> 00:28:04,586
SOME KNOWLEDGE ON ME RIGHT NOW.

1264
00:28:04,586 --> 00:28:05,620
SO RIGHT NOW,

1265
00:28:05,620 --> 00:28:06,379
IMMA TAKE THE TIME

1266
00:28:06,379 --> 00:28:08,103
TO TALK TO SNOOP ABOUT A COUPLE

1267
00:28:08,103 --> 00:28:10,034
OF LIFE LESSONS.

1268
00:28:10,034 --> 00:28:11,310
I GOT A LITTLE SITUATION,

1269
00:28:11,310 --> 00:28:12,862
A LITTLE DILEMMA, MAN.

1270
00:28:12,862 --> 00:28:13,793
YOU KNOW HOW WE

1271
00:28:13,793 --> 00:28:15,310
VALUE OUR FAMILIES

1272
00:28:15,310 --> 00:28:17,137
AND OUR LOVED ONES.

1273
00:28:17,137 --> 00:28:18,758
I GOT TO BE HONEST WITH YOU.

1274
00:28:18,758 --> 00:28:20,379
YOU KNOW, ZINO'’S MY BRO,

1275
00:28:20,379 --> 00:28:23,758
AND HE ABOUT TO GET MARRIED.

1276
00:28:23,758 --> 00:28:26,000
AND THE CHICK HE MARRYING--

1277
00:28:26,000 --> 00:28:26,827
I KNOW THE BROAD.

1278
00:28:26,827 --> 00:28:27,724
YOU MEAN, LIKE, KNOW HER?

1279
00:28:27,724 --> 00:28:28,862
LIKE, I MEAN--

1280
00:28:28,862 --> 00:28:29,827
I KNOW WHAT YOU MEAN

1281
00:28:29,827 --> 00:28:31,034
WHEN YOU SAY YOU KNOW HER.

1282
00:28:31,034 --> 00:28:31,862
I WORE IT.

1283
00:28:31,862 --> 00:28:33,482
MAN, YOU WORE IT FOR A NIGHT.

1284
00:28:33,482 --> 00:28:35,482
AND I DID IT AT ZINO CRIB.

1285
00:28:35,482 --> 00:28:37,448
OH, MY GOD.

1286
00:28:37,448 --> 00:28:38,103
THAT'’S RIGHT.

1287
00:28:38,103 --> 00:28:39,517
WHEN IT COMES DOWN TO IT,

1288
00:28:39,517 --> 00:28:40,758
I SMASHED SHORTY.

1289
00:28:40,758 --> 00:28:41,413
I BEEN KEEPING

1290
00:28:41,413 --> 00:28:42,586
IT FROM JOSELINE,

1291
00:28:42,586 --> 00:28:44,379
AND I HAVEN'’T ADMITTED TO ZINO,

1292
00:28:44,379 --> 00:28:45,310
BUT IT'’S JUST SOMETHIN'’ THAT

1293
00:28:45,310 --> 00:28:46,758
HAPPENED IN THE PAST.

1294
00:28:46,758 --> 00:28:48,586
BUT IF IMMA STAND NEXT TO ZI

1295
00:28:48,586 --> 00:28:50,206
WHEN HE GETS MARRIED,

1296
00:28:50,206 --> 00:28:52,034
MAYBE I NEED TO COME CLEAN.

1297
00:28:52,034 --> 00:28:53,034
WELL, YOU GOT TO LET HIM KNOW

1298
00:28:53,034 --> 00:28:54,206
BEFORE HE TIE THE KNOT

1299
00:28:54,206 --> 00:28:56,241
THAT SHE IS PART OF

1300
00:28:56,241 --> 00:28:58,413
THE COLLECTION.

1301
00:28:58,413 --> 00:28:59,379
SHE KINDA TOLD HIM,

1302
00:28:59,379 --> 00:29:00,137
BUT THEN I WAS JUST,

1303
00:29:00,137 --> 00:29:00,827
LIKE,

1304
00:29:00,827 --> 00:29:01,620
I DIDN'’T WANT TO GET INTO THE

1305
00:29:01,620 --> 00:29:03,068
MIDDLE OF IT, '’CAUSE, LIKE,

1306
00:29:03,068 --> 00:29:06,275
I AIN'’T TELL JOSELINE.

1307
00:29:06,275 --> 00:29:06,965
WELL, THAT'’S

1308
00:29:06,965 --> 00:29:08,413
WHERE THE PROBLEM GON'’ BE AT.

1309
00:29:08,413 --> 00:29:09,620
THAT'’S WHERE THE REAL PROBLEM

1310
00:29:09,620 --> 00:29:10,275
GON'’ BE.

1311
00:29:10,275 --> 00:29:11,758
THANKS, THANKS, SNOOP.

1312
00:29:11,758 --> 00:29:12,724
I BEEN HOLDIN'’ IT

1313
00:29:12,724 --> 00:29:14,000
BACK FROM EVERYBODY BECAUSE I

1314
00:29:14,000 --> 00:29:15,068
DIDN'’T WANT TO HURT HIM,

1315
00:29:15,068 --> 00:29:16,172
NOR DO I WANT TO HURT MY BABY.

1316
00:29:16,172 --> 00:29:16,862
YOU KNOW WHAT I'’M

1317
00:29:16,862 --> 00:29:17,517
SAYING?

1318
00:29:17,517 --> 00:29:18,310
SO NOW IT'’S TO THE POINT WHERE I

1319
00:29:18,310 --> 00:29:19,586
GOT TO COME CLEAN WITH MYSELF.

1320
00:29:19,586 --> 00:29:20,413
YEAH, '’CAUSE EVERYBODY

1321
00:29:20,413 --> 00:29:21,310
GONNA BE HURT THE MINUTE

1322
00:29:21,310 --> 00:29:22,172
IF IT GET OUT.

1323
00:29:22,172 --> 00:29:23,655
SHE GON'’ TRIP.

1324
00:29:23,655 --> 00:29:24,448
WELL, YOU KNOW WHAT'’S GON'’

1325
00:29:24,448 --> 00:29:25,103
WORK?

1326
00:29:25,103 --> 00:29:27,275
IF YOU TELL HER FIRST.

1327
00:29:27,275 --> 00:29:28,241
THAT MAKES SENSE.

1328
00:29:28,241 --> 00:29:28,965
YEAH, YOU TELL HER FIRST.

1329
00:29:28,965 --> 00:29:29,724
SO I GOT TO TELL HER TONIGHT,

1330
00:29:29,724 --> 00:29:30,379
THEN.

1331
00:29:30,379 --> 00:29:31,034
YEAH.

1332
00:29:31,034 --> 00:29:31,689
YOU GOT TO TELL HER TONIGHT.

1333
00:29:31,689 --> 00:29:32,344
I HURT JOSELINE SO MUCH.

1334
00:29:32,344 --> 00:29:33,000
I JUST DON'’T WANT

1335
00:29:33,000 --> 00:29:33,862
TO HURT HER NO MORE.

1336
00:29:33,862 --> 00:29:35,000
THE TRUTH HURTS, BUT IT'’S

1337
00:29:35,000 --> 00:29:37,379
BETTER WHEN IT COME FROM YOU.

1338
00:29:37,379 --> 00:29:38,206
AND YOU GOT TO LET

1339
00:29:38,206 --> 00:29:39,551
MY NIECE-Y KNOW WHAT'’S UP.

1340
00:29:39,551 --> 00:29:40,379
YOU GOT TO TELL HER TONIGHT.

1341
00:29:40,379 --> 00:29:41,034
YOU GOT TO KEEP IT

1342
00:29:41,034 --> 00:29:42,413
100 WIT'’ HER.

1343
00:29:42,413 --> 00:29:44,000
SHE GON'’ RESPECT THAT.

1344
00:29:44,000 --> 00:29:44,724
UNFORTUNATELY,

1345
00:29:44,724 --> 00:29:46,551
SNOOP IS 100% RIGHT.

1346
00:29:46,551 --> 00:29:47,896
I'’M NOT LOOKIN'’ FORWARD

1347
00:29:47,896 --> 00:29:49,310
TO THIS RIGHT HERE.

1348
00:29:49,310 --> 00:29:50,172
HEY, DO YOU SON

1349
00:29:50,172 --> 00:29:51,551
GOT ONE OF THOSE HELMETS FOR ME,

1350
00:29:51,551 --> 00:29:52,206
'’CAUSE I MIGHT--

1351
00:29:52,206 --> 00:29:53,172
YEAH, YOU GON'’ NEED A HELMET.

1352
00:29:53,172 --> 00:29:53,862
YEAH.

1353
00:29:53,862 --> 00:29:54,517
WELL, MAYBE YOU

1354
00:29:54,517 --> 00:29:56,241
WANT TO TELL HER WHEN--

1355
00:29:56,241 --> 00:29:57,137
A GROUP OF PEOPLE IS AROUND.

1356
00:29:57,137 --> 00:29:57,793
YEAH.

1357
00:29:57,793 --> 00:29:58,965
MAYBE WALKIN'’ OUT OF THE COURT

1358
00:29:58,965 --> 00:30:01,931
BUILDING, OR SOMETHIN'’.

1359
00:30:01,931 --> 00:30:02,620
I WANT YOU TO GO

1360
00:30:02,620 --> 00:30:03,448
IN THERE AND FINISH IT.

1361
00:30:03,448 --> 00:30:04,344
MAKE SURE THAT [bleep] TAKE OFF.

1362
00:30:04,344 --> 00:30:05,068
YOU'’RE NOT ON THE RECORD

1363
00:30:05,068 --> 00:30:05,758
ANYMORE.

1364
00:30:05,758 --> 00:30:06,655
I'’M SORRY.

1365
00:30:06,655 --> 00:30:07,448
YOU DIDN'’T HANDLE YOUR

1366
00:30:07,448 --> 00:30:09,068
BUSINESS AND YOU

1367
00:30:09,068 --> 00:30:10,344
WILL NEVER GET ANY PERCENTAGE.

1368
00:30:10,344 --> 00:30:12,206
THE TAPE THAT ACTUALLY CAME

1369
00:30:12,206 --> 00:30:27,482
OUT MIGHT BE JUST ONE OF OTHERS.

1370
00:30:27,482 --> 00:30:30,000
♪ I KNOW YOU WORK HARD

1371
00:30:30,000 --> 00:30:31,827
♪ ITCHING AND SKIRTING

1372
00:30:31,827 --> 00:30:32,655
I'’M HERE SHOOTING

1373
00:30:32,655 --> 00:30:33,310
THE MUSIC VIDEO

1374
00:30:33,310 --> 00:30:35,448
FOR HEARTBREAKERS BY MYSELF.

1375
00:30:35,448 --> 00:30:37,137
YOUNG DRO IS GONNA COME THROUGH

1376
00:30:37,137 --> 00:30:38,724
LATER AND MAKE HIS APPEARANCE,

1377
00:30:38,724 --> 00:30:40,379
BUT THE BOTTOM LINE IS,

1378
00:30:40,379 --> 00:30:43,034
JOC HAS BEEN REPLACED.

1379
00:30:43,034 --> 00:30:44,310
I INVITED JOC HERE

1380
00:30:44,310 --> 00:30:45,344
SO HE CAN CHECK OUT THE

1381
00:30:45,344 --> 00:30:47,275
SCENE AND KNOW THAT YOU WILL

1382
00:30:47,275 --> 00:30:49,586
NEVER MESS WITH KARLIE REDD.

1383
00:30:49,586 --> 00:30:50,655
♪ WANT TO CRY ME

1384
00:30:50,655 --> 00:30:51,827
♪ A RIVER, BOY?

1385
00:30:51,827 --> 00:30:53,000
♪ YOU TWIST AND TOSS ME

1386
00:30:53,000 --> 00:30:54,482
♪ LIKE I WAS A TOY

1387
00:30:54,482 --> 00:30:57,310
♪ NOW I GOT TO LET YOU GO

1388
00:30:57,310 --> 00:31:00,206
♪ I'’M TAKING BACK CONTROL ♪

1389
00:31:00,206 --> 00:31:01,482
♪ I'’M TIRED OF YOUR LIES ♪

1390
00:31:01,482 --> 00:31:03,172
♪ AND YOUR CHEATING

1391
00:31:03,172 --> 00:31:04,000
♪ I NEVER THOUGHT I'’D BE ♪

1392
00:31:04,000 --> 00:31:05,241
♪ THE ONE TO LEAVE

1393
00:31:05,241 --> 00:31:06,379
♪ YEAH, I WAS OVER IT

1394
00:31:06,379 --> 00:31:07,896
♪ NOW I'’M OVER YOU ♪

1395
00:31:07,896 --> 00:31:09,172
♪ FAKE BREAK-UPS

1396
00:31:09,172 --> 00:31:10,310
♪ BUT WE AIN'’T THROUGH ♪

1397
00:31:10,310 --> 00:31:11,724
♪ I'’M LOVING YOU AGAIN ♪

1398
00:31:11,724 --> 00:31:13,034
♪ BUT I DON'’T KNOW WHY ♪

1399
00:31:13,034 --> 00:31:14,000
♪ NOW WE RIGHT BACK

1400
00:31:14,000 --> 00:31:17,724
♪ WHERE WE ARE

1401
00:31:17,724 --> 00:31:18,379
I GOT A TEXT

1402
00:31:18,379 --> 00:31:19,413
FROM KARLIE ABOUT MEETIN'’

1403
00:31:19,413 --> 00:31:20,862
AT THE SOUND STAGE.

1404
00:31:20,862 --> 00:31:21,517
KIND OF BEEN TRYIN'’

1405
00:31:21,517 --> 00:31:22,551
TO AVOID THE SITUATION,

1406
00:31:22,551 --> 00:31:23,586
BUT I BEEN HEARIN'’ WORD

1407
00:31:23,586 --> 00:31:24,310
FROM MY MANAGEMENT

1408
00:31:24,310 --> 00:31:25,137
THAT KARLIE BEEN MAKIN'’

1409
00:31:25,137 --> 00:31:26,000
SOME PHONE CALLS

1410
00:31:26,000 --> 00:31:27,275
THAT SHE SHOULDN'’T BE MAKIN'’.

1411
00:31:27,275 --> 00:31:28,793
SO I FIGURED I'’D MAKE

1412
00:31:28,793 --> 00:31:31,965
MY PRESENCE FELT TODAY.

1413
00:31:31,965 --> 00:31:32,620
HEY.

1414
00:31:32,620 --> 00:31:34,241
SO, MAN, YOU TEXT ME.

1415
00:31:34,241 --> 00:31:35,655
YES, I TEXT YOU, AND--

1416
00:31:35,655 --> 00:31:36,724
ABOUT YOUR VIDEO SHOOT,

1417
00:31:36,724 --> 00:31:38,344
AND I'’M HERE.

1418
00:31:38,344 --> 00:31:39,103
WHAT'’S UP?

1419
00:31:39,103 --> 00:31:39,965
I WAS SHOOTING THE VIDEO

1420
00:31:39,965 --> 00:31:40,689
FOR HEARTBREAKER.

1421
00:31:40,689 --> 00:31:41,448
THAT'’S CLEAR.

1422
00:31:41,448 --> 00:31:42,689
THAT'’S--

1423
00:31:42,689 --> 00:31:43,344
AND I TOOK YOU

1424
00:31:43,344 --> 00:31:45,137
OFF THE RECORD.

1425
00:31:45,137 --> 00:31:46,586
DRO'’S ON THE VERSE NOW.

1426
00:31:46,586 --> 00:31:47,241
DRO?

1427
00:31:47,241 --> 00:31:49,000
I HANDLE MY BUSINESS

1428
00:31:49,000 --> 00:31:51,137
BY BUYIN'’ THE RECORD

1429
00:31:51,137 --> 00:31:52,068
FROM THE PRODUCER

1430
00:31:52,068 --> 00:31:54,275
AND I'’M THE WRITER.

1431
00:31:54,275 --> 00:31:55,206
YOU KNOW, IT'’S JUST FUNNY

1432
00:31:55,206 --> 00:31:56,413
CONSIDERING, YOU KNOW, SAYIN'’

1433
00:31:56,413 --> 00:31:57,413
I BOUGHT YOU THIS RECORD.

1434
00:31:57,413 --> 00:31:58,517
I INTRODUCED YOU

1435
00:31:58,517 --> 00:32:01,620
TO THE WRITER, THE PRODUCER,

1436
00:32:01,620 --> 00:32:02,551
AND I PULL IT UP ON HERE

1437
00:32:02,551 --> 00:32:03,724
TO CHECK ON YOU, THIS IS

1438
00:32:03,724 --> 00:32:04,965
WHAT I GET HIT IN THE FACE WITH.

1439
00:32:04,965 --> 00:32:06,413
I DID GET HIT IN THE FACE

1440
00:32:06,413 --> 00:32:07,172
WHEN I PULLED UP

1441
00:32:07,172 --> 00:32:08,482
TO THE FASHION SHOW TOO,

1442
00:32:08,482 --> 00:32:09,137
RIGHT?

1443
00:32:09,137 --> 00:32:09,793
OKAY.

1444
00:32:09,793 --> 00:32:10,655
THE WAY YOU BEEN ACTIN'’

1445
00:32:10,655 --> 00:32:11,310
IN THE STREETS

1446
00:32:11,310 --> 00:32:12,275
WITH ALL THESE DIFFERENT SIDE

1447
00:32:12,275 --> 00:32:12,965
CHICKS?

1448
00:32:12,965 --> 00:32:13,620
MM-HMM.

1449
00:32:13,620 --> 00:32:14,689
THAT WAS CRAZY RECKLESS.

1450
00:32:14,689 --> 00:32:15,413
AND I CAME TO YOU,

1451
00:32:15,413 --> 00:32:16,931
I SAID TO YOU, "I STILL WANT TO

1452
00:32:16,931 --> 00:32:19,172
HANDLE THE BUSINESS WITH YOU,"

1453
00:32:19,172 --> 00:32:19,931
AND YOU STILL--

1454
00:32:19,931 --> 00:32:21,413
YOU STILL WENT ABOUT IT.

1455
00:32:21,413 --> 00:32:22,379
SO WHY DIDN'’T THE BUSINESS

1456
00:32:22,379 --> 00:32:23,034
GET HANDLED?

1457
00:32:23,034 --> 00:32:23,689
BECAUSE I

1458
00:32:23,689 --> 00:32:24,620
COULDN'’T CONTACT YOU.

1459
00:32:24,620 --> 00:32:25,620
YOU WERE BUSY.

1460
00:32:25,620 --> 00:32:26,310
YOU GOT IN TOUCH WITH ME

1461
00:32:26,310 --> 00:32:27,000
ABOUT THE VIDEO.

1462
00:32:27,000 --> 00:32:27,655
'’CAUSE YOU NOT

1463
00:32:27,655 --> 00:32:28,310
HANDLING BUSINESS.

1464
00:32:28,310 --> 00:32:29,413
I HOPE EVERYTHING WORK

1465
00:32:29,413 --> 00:32:30,068
OUT FOR YOU.

1466
00:32:30,068 --> 00:32:33,275
GOD BLESS YOU

1467
00:32:33,275 --> 00:32:35,793
AND YOUR HEATHEN ASS.

1468
00:32:35,793 --> 00:32:37,034
I'’M NOT SURPRISED AT ALL

1469
00:32:37,034 --> 00:32:38,103
THAT KARLIE WOULD TRY SOMETHIN'’

1470
00:32:38,103 --> 00:32:38,793
LIKE THIS.

1471
00:32:38,793 --> 00:32:40,103
I MEAN, IT'’S SAD, '’CAUSE KARLIE

1472
00:32:40,103 --> 00:32:41,482
REALLY THINKS SHE PULLED A BOSS

1473
00:32:41,482 --> 00:32:42,724
MOVE, BUT SHE GON'’ LEARN

1474
00:32:42,724 --> 00:32:44,206
TODAY--I MEAN,

1475
00:32:44,206 --> 00:32:45,758
EITHER WAY IT GOES,

1476
00:32:45,758 --> 00:32:48,206
JOC STILL GON'’ GET PAID.

1477
00:32:48,206 --> 00:32:48,896
GOD BLESS YOU,

1478
00:32:48,896 --> 00:32:49,517
KARLIE.

1479
00:32:49,517 --> 00:32:50,241
GET BACK TO WHAT YOU DOIN'’.

1480
00:32:50,241 --> 00:32:50,931
EXCUSE ME.

1481
00:32:50,931 --> 00:32:51,586
YOU SAID YOU WERE GONNA

1482
00:32:51,586 --> 00:32:53,137
PAY ME FOR AND EVERYTHING.

1483
00:32:53,137 --> 00:32:54,172
YOU SHOULD HANDLE YOUR BUSINESS

1484
00:32:54,172 --> 00:32:55,206
LIKE I HANDLE MINE.

1485
00:32:55,206 --> 00:32:56,827
YOU RIGHT, AND YOU DON'’T HAVE

1486
00:32:56,827 --> 00:32:57,482
THE FULL PRODUCER AGREEMENT.

1487
00:32:57,482 --> 00:32:58,137
I HANDLE MY--YES,

1488
00:32:58,137 --> 00:32:58,827
I DO HAVE IT.

1489
00:32:58,827 --> 00:32:59,620
YOU HAVE PARTIAL.

1490
00:32:59,620 --> 00:33:00,275
NO, I DO.

1491
00:33:00,275 --> 00:33:01,241
I HAVE THE FULL ONE.

1492
00:33:01,241 --> 00:33:01,931
GOD BLESS YOU.

1493
00:33:01,931 --> 00:33:02,620
DO YOU KNOW HOW MANY PEOPLE

1494
00:33:02,620 --> 00:33:03,965
I GOT RAPPIN'’ ON THE RECORD?

1495
00:33:03,965 --> 00:33:04,689
I WANT YOU TO GO

1496
00:33:04,689 --> 00:33:05,517
IN THERE AND FINISH IT.

1497
00:33:05,517 --> 00:33:06,896
MAKE [bleep] TAKE OFF, '’CAUSE AS

1498
00:33:06,896 --> 00:33:09,206
LONG AS I GET MY PERCENTAGE

1499
00:33:09,206 --> 00:33:09,965
WE GOOD.

1500
00:33:09,965 --> 00:33:10,620
YOU DIDN'’T HANDLE YOUR

1501
00:33:10,620 --> 00:33:11,275
BUSINESS, AND YOU

1502
00:33:11,275 --> 00:33:12,379
WILL NEVER GET ANY PERCENTAGE.

1503
00:33:12,379 --> 00:33:13,034
GOD BLESS YOU.

1504
00:33:13,034 --> 00:33:13,724
OKAY?

1505
00:33:13,724 --> 00:33:14,379
BE BLESSED.

1506
00:33:14,379 --> 00:33:15,517
JOC CAN TALK ALL

1507
00:33:15,517 --> 00:33:17,068
THE TRASH HE WANT.

1508
00:33:17,068 --> 00:33:18,103
AT THE END OF THE DAY,

1509
00:33:18,103 --> 00:33:20,000
THIS IS MY SONG.

1510
00:33:20,000 --> 00:33:21,241
YOU KNOW WHAT, JOC?

1511
00:33:21,241 --> 00:33:22,103
IMA LEAVE YOUR CAREER

1512
00:33:22,103 --> 00:33:23,448
WHERE I FOUND IT, IN THE TRASH.

1513
00:33:23,448 --> 00:33:24,103
THERE'’S NOTHIN'’

1514
00:33:24,103 --> 00:33:24,793
BUT LOVE, BABY.

1515
00:33:24,793 --> 00:33:25,448
GOD BLESS YOU.

1516
00:33:25,448 --> 00:33:26,275
I'’M GON'’ LEAVE YOUR CAREER

1517
00:33:26,275 --> 00:33:28,068
WHERE I FOUND IT, IN THE TRASH.

1518
00:33:28,068 --> 00:33:30,793
WHERE YOU SAID

1519
00:33:30,793 --> 00:33:41,482
IT WAS ALL GOIN'’ DOWN IT.

1520
00:33:41,482 --> 00:33:42,793
I HAVEN'’T SPOKEN TO NIKKO

1521
00:33:42,793 --> 00:33:43,655
SINCE HE ADMITTED

1522
00:33:43,655 --> 00:33:44,793
HE WAS MARRIED.

1523
00:33:44,793 --> 00:33:46,310
I HAVE SO MANY QUESTIONS

1524
00:33:46,310 --> 00:33:47,103
THAT I ALMOST

1525
00:33:47,103 --> 00:33:47,793
PICKED UP THE PHONE

1526
00:33:47,793 --> 00:33:49,137
AND CALLED HIM, UNTIL I

1527
00:33:49,137 --> 00:33:51,172
REALIZED THERE'’S ONE PERSON

1528
00:33:51,172 --> 00:33:51,862
IN THE WORLD

1529
00:33:51,862 --> 00:33:53,689
THAT HAS ALL THE ANSWERS.

1530
00:33:53,689 --> 00:33:54,551
SO I REACHED

1531
00:33:54,551 --> 00:33:56,310
OUT TO NIKKO'’S OLD ROOMMATE,

1532
00:33:56,310 --> 00:33:59,379
JOHNNY CROME.

1533
00:33:59,379 --> 00:34:00,689
HOW YOU DOIN'’?

1534
00:34:00,689 --> 00:34:01,344
YOU LOOK GREAT.

1535
00:34:01,344 --> 00:34:02,241
NIKKO AND JOHNNY WERE,

1536
00:34:02,241 --> 00:34:03,241
LIKE, BEST FRIENDS.

1537
00:34:03,241 --> 00:34:04,620
THEY ROOMMATED TOGETHER,

1538
00:34:04,620 --> 00:34:05,896
THEY ALSO DID THE VIDEO

1539
00:34:05,896 --> 00:34:07,793
NY 2 LA, STARRING ME.

1540
00:34:07,793 --> 00:34:08,965
AND I KNEW THAT NIKKO AND

1541
00:34:08,965 --> 00:34:09,931
JOHNNY HAD SOME KIND

1542
00:34:09,931 --> 00:34:11,000
OF FALLING OUT,

1543
00:34:11,000 --> 00:34:12,103
BUT I NEVER REALLY CARED

1544
00:34:12,103 --> 00:34:12,827
TO FIND OUT WHAT

1545
00:34:12,827 --> 00:34:15,862
HAPPENED UNTIL NOW.

1546
00:34:15,862 --> 00:34:17,551
SO, JOHNNY,

1547
00:34:17,551 --> 00:34:19,000
HAVE NOT SEEN YOU IN A WHILE.

1548
00:34:19,000 --> 00:34:20,034
IT'’S BEEN A MINUTE.

1549
00:34:20,034 --> 00:34:22,758
I BEEN HEARIN'’ A LOT OF--

1550
00:34:22,758 --> 00:34:23,862
LOT OF CHATTER OUT THERE.

1551
00:34:23,862 --> 00:34:25,137
WHAT'’S THIS ALL ABOUT?

1552
00:34:25,137 --> 00:34:27,482
I HAVE A LOT OF QUESTIONS.

1553
00:34:27,482 --> 00:34:29,206
CONCERNIN'’ NIKKO, OBVIOUSLY.

1554
00:34:29,206 --> 00:34:29,896
ABSOLUTELY.

1555
00:34:29,896 --> 00:34:30,551
OKAY.

1556
00:34:30,551 --> 00:34:31,379
>>ABSOLUTELY.

1557
00:34:31,379 --> 00:34:32,137
SO WHAT YOU WANT TO TALK

1558
00:34:32,137 --> 00:34:33,103
ABOUT?

1559
00:34:33,103 --> 00:34:34,517
WELL, FIRST I WANT TO, LIKE,

1560
00:34:34,517 --> 00:34:35,551
WHAT HAPPENED WIT'’ Y'’ALL?

1561
00:34:35,551 --> 00:34:37,068
LIKE, I MEAN--

1562
00:34:37,068 --> 00:34:39,068
I MEAN, BASICALLY NIKKO

1563
00:34:39,068 --> 00:34:40,689
WAS SUPPOSED TO BE MY BOY,

1564
00:34:40,689 --> 00:34:42,000
MY BROTHER, AND AS

1565
00:34:42,000 --> 00:34:43,620
SOON AS EVERYTHING WENT LEFT

1566
00:34:43,620 --> 00:34:45,931
AFTER THE NY 2 LA VIDEO SHOOT,

1567
00:34:45,931 --> 00:34:46,586
YOU SAW.

1568
00:34:46,586 --> 00:34:47,379
HE WAS GONE.

1569
00:34:47,379 --> 00:34:49,275
HE HAD A WHOLE NEW AGENDA.

1570
00:34:49,275 --> 00:34:50,000
JUST LIKE THAT?

1571
00:34:50,000 --> 00:34:50,689
JUST LIKE THAT.

1572
00:34:50,689 --> 00:34:51,896
HE WAS OUT OF HERE.

1573
00:34:51,896 --> 00:34:52,965
AND HE FELT LIKE,

1574
00:34:52,965 --> 00:34:53,689
YOU KNOW, "I GOT

1575
00:34:53,689 --> 00:34:55,000
ANOTHER OPPORTUNITY."

1576
00:34:55,000 --> 00:34:55,724
I'’M OUT.

1577
00:34:55,724 --> 00:34:57,448
YOU, YEAH.

1578
00:34:57,448 --> 00:35:00,551
SO WHAT QUESTIONS DO YOU HAVE?

1579
00:35:00,551 --> 00:35:01,310
WHAT DO YOU WANT TO KNOW?

1580
00:35:01,310 --> 00:35:02,689
LIKE, WHAT--WHAT'’S ON YOUR MIND?

1581
00:35:02,689 --> 00:35:04,310
JUST TALK TO ME.

1582
00:35:04,310 --> 00:35:05,310
FIRST THINGS FIRST,

1583
00:35:05,310 --> 00:35:08,620
I FOUND OUT NIKKO'’S MARRIED.

1584
00:35:08,620 --> 00:35:09,965
UH-HUH.

1585
00:35:09,965 --> 00:35:11,068
A COUPLE OF WEEKS AGO.

1586
00:35:11,068 --> 00:35:12,620
THEY'’RE NOT ONLY--HAVE--

1587
00:35:12,620 --> 00:35:14,206
HAVE BEEN TOGETHER FOR LIKE,

1588
00:35:14,206 --> 00:35:15,379
A DECADE, NOW.

1589
00:35:15,379 --> 00:35:17,172
BUT THEY GOT A DEEP CONNECTION.

1590
00:35:17,172 --> 00:35:19,000
IT'’S AN EMOTIONAL CONNECTION.

1591
00:35:19,000 --> 00:35:19,689
THEY'’RE, LIKE,

1592
00:35:19,689 --> 00:35:20,413
BUSINESS PARTNERS.

1593
00:35:20,413 --> 00:35:21,620
THEY HAD A GROUP TOGETHER.

1594
00:35:21,620 --> 00:35:22,724
THEY MAKE MUSIC TOGETHER.

1595
00:35:22,724 --> 00:35:23,793
THEY DO EVERYTHING TOGETHER.

1596
00:35:23,793 --> 00:35:24,965
I KNOWN THEM FOR YEARS,

1597
00:35:24,965 --> 00:35:25,620
AND THAT'’S WHY I

1598
00:35:25,620 --> 00:35:26,310
THOUGHT MAYBE YOU

1599
00:35:26,310 --> 00:35:28,413
WAS AWARE OF THE SITUATION,

1600
00:35:28,413 --> 00:35:30,034
THAT SHE WAS--THAT THEY WERE

1601
00:35:30,034 --> 00:35:31,896
STILL TOGETHER.

1602
00:35:31,896 --> 00:35:32,655
I DIDN'’T REALLY KNOW

1603
00:35:32,655 --> 00:35:33,862
THE CAPACITY

1604
00:35:33,862 --> 00:35:35,241
TO WHICH Y'’ALL'’S RELATIONSHIP OR

1605
00:35:35,241 --> 00:35:36,724
WHAT IT WAS BASED ON.

1606
00:35:36,724 --> 00:35:37,448
YOU KNOW WHAT I MEAN?

1607
00:35:37,448 --> 00:35:38,896
SO I CAN ONLY GO BY WHAT HE

1608
00:35:38,896 --> 00:35:39,724
TOLD ME.

1609
00:35:39,724 --> 00:35:40,655
BUT I ASKED HIM.

1610
00:35:40,655 --> 00:35:43,793
I SAID, "YOU KNEW THE SEX TAPE

1611
00:35:43,793 --> 00:35:44,620
WAS OUT THERE.

1612
00:35:44,620 --> 00:35:45,724
YOU DIDN'’T THINK TO TELL ME

1613
00:35:45,724 --> 00:35:46,896
THAT YOU WERE MARRIED?"

1614
00:35:46,896 --> 00:35:48,517
NIKKO IS VERY CALCUALATED

1615
00:35:48,517 --> 00:35:49,172
IN THAT WAY.

1616
00:35:49,172 --> 00:35:50,068
I KNOW HIM.

1617
00:35:50,068 --> 00:35:51,310
I KNOW THE WAY HIS MIND THINK.

1618
00:35:51,310 --> 00:35:52,758
HE DIDN'’T THINK HIS WIFE

1619
00:35:52,758 --> 00:35:54,206
WAS GONNA HAVE A PROBLEM

1620
00:35:54,206 --> 00:35:55,482
WITH HIM DOIN'’ A SEX TAPE

1621
00:35:55,482 --> 00:35:57,068
WITH SOMEBODY ELSE?

1622
00:35:57,068 --> 00:35:58,551
DO YOU THINK THAT THE--

1623
00:35:58,551 --> 00:36:01,068
THE SEX TAPE WAS LEAKED?

1624
00:36:01,068 --> 00:36:03,241
COME ON, THAT WAS NOT

1625
00:36:03,241 --> 00:36:04,344
BY ACCIDENT.

1626
00:36:04,344 --> 00:36:05,620
IT'’S A SET-UP, MAN.

1627
00:36:05,620 --> 00:36:07,517
THE FIGHT'’S BEEN FIXED, MIMI.

1628
00:36:07,517 --> 00:36:09,000
IT'’S A SET-UP.

1629
00:36:09,000 --> 00:36:10,000
IT'’S ONE THING

1630
00:36:10,000 --> 00:36:11,517
TO HEAR FROM MY GIRLS

1631
00:36:11,517 --> 00:36:12,758
WHO DON'’T LIKE NIKKO,

1632
00:36:12,758 --> 00:36:14,103
TO SAY HE SET ME UP.

1633
00:36:14,103 --> 00:36:16,310
BUT IT'’S A WHOLE OTHER THING TO

1634
00:36:16,310 --> 00:36:18,206
HEAR IT FROM SOMEONE WHO REALLY

1635
00:36:18,206 --> 00:36:20,000
KNOWS NIKKO.

1636
00:36:20,000 --> 00:36:20,689
I KNOW, YOU KNOW,

1637
00:36:20,689 --> 00:36:21,689
JUST FROM CONVERSATION,

1638
00:36:21,689 --> 00:36:22,931
WE HAD TALKED ABOUT THAT.

1639
00:36:22,931 --> 00:36:24,827
HE WAS LIKE, "YO.

1640
00:36:24,827 --> 00:36:25,482
I MIGHT TRY

1641
00:36:25,482 --> 00:36:27,793
TO GET HER ON CAMERA."

1642
00:36:27,793 --> 00:36:32,206
GET ME ON CAMERA UNKNOWINGLY?

1643
00:36:32,206 --> 00:36:33,620
THE WAY IT WAS PUT,

1644
00:36:33,620 --> 00:36:34,758
IT WAS DEFINITELY,

1645
00:36:34,758 --> 00:36:36,344
LIKE, UNKNOWINGLY.

1646
00:36:36,344 --> 00:36:37,620
BETRAYAL DOESN'’T EVEN

1647
00:36:37,620 --> 00:36:38,620
BEGIN TO DESCRIBE

1648
00:36:38,620 --> 00:36:40,000
HOW I FEEL RIGHT NOW.

1649
00:36:40,000 --> 00:36:40,758
THE MAN

1650
00:36:40,758 --> 00:36:42,068
WHO I THOUGHT I WAS IN LOVE

1651
00:36:42,068 --> 00:36:43,586
WITH TURNS OUT TO BE SOMEONE

1652
00:36:43,586 --> 00:36:45,137
WHO I DON'’T EVEN KNOW.

1653
00:36:45,137 --> 00:36:46,172
THE THOUGHT OF THAT

1654
00:36:46,172 --> 00:36:48,551
MAKES ME SICK TO MY STOMACH.

1655
00:36:48,551 --> 00:36:50,172
THE TAPE THAT ACTUALLY CAME

1656
00:36:50,172 --> 00:36:55,000
OUT MIGHT BE JUST ONE OF OTHERS,

1657
00:36:55,000 --> 00:36:56,655
NUMEROUS, I MEAN...

1658
00:36:56,655 --> 00:36:58,103
SO HE MIGHT HAVE

1659
00:36:58,103 --> 00:37:01,344
SECRETLY FILMED US.

1660
00:37:01,344 --> 00:37:03,310
IT'’S POSSIBLE.

1661
00:37:03,310 --> 00:37:05,724
SO--SO WHAT YOU GONNA DO?

1662
00:37:05,724 --> 00:37:06,620
HOW YOU--LIKE, WHERE YOU

1663
00:37:06,620 --> 00:37:07,310
GONNA GO WITH IT?

1664
00:37:07,310 --> 00:37:08,482
NIKKO HAS CLEARLY

1665
00:37:08,482 --> 00:37:09,586
UNDERESTIMATED ME.

1666
00:37:09,586 --> 00:37:10,448
IF HE THINKS I'’M JUST GONNA

1667
00:37:10,448 --> 00:37:11,103
SIT HERE

1668
00:37:11,103 --> 00:37:12,482
AND LET THAT [bleep] RIDE?

1669
00:37:12,482 --> 00:37:13,724
I GOT MY FRIENDS CLOSE,

1670
00:37:13,724 --> 00:37:15,310
BUT NOW I NEED TO KEEP MY

1671
00:37:15,310 --> 00:37:17,379
ENEMIES CLOSER, BECAUSE NIKKO

1672
00:37:17,379 --> 00:37:20,172
IS INDEED MY NEW ENEMY.

1673
00:37:20,172 --> 00:37:21,517
THE BALL IS IN YOUR COURT.

1674
00:37:21,517 --> 00:37:23,482
YOU GOT TO CALL A SHOT HERE.

1675
00:37:23,482 --> 00:37:24,517
IT'’S LIKE SLEEPIN'’

1676
00:37:24,517 --> 00:37:25,413
WITH THE ENEMY.

1677
00:37:25,413 --> 00:37:26,586
SOMETHING LIKE THAT.

1678
00:37:26,586 --> 00:37:27,448
IT'’S KIND OF CRAZY.

1679
00:37:27,448 --> 00:37:30,827
IT'’S CRAZY.

1680
00:37:30,827 --> 00:37:32,724
IT'’S REAL CRAZY.

1681
00:37:32,724 --> 00:37:33,965
I CAME HERE TONIGHT FULLY

1682
00:37:33,965 --> 00:37:35,275
PREPARED TO TELL JOSELINE

1683
00:37:35,275 --> 00:37:54,103
ABOUT THE WHOLE ALTHEA

1684
00:37:54,103 --> 00:37:55,000
♪ THE WAY YOU'’RE LOOKING ♪

1685
00:37:55,000 --> 00:37:57,000
♪ AT ME GOT ME GONE

1686
00:37:57,000 --> 00:37:58,172
♪ NEVER HAD A LOVE

1687
00:37:58,172 --> 00:37:59,862
♪JUST KNOCK ME DOWN ♪

1688
00:37:59,862 --> 00:38:01,034
♪ I'’M HARDLY HERE TONIGHT ♪

1689
00:38:01,034 --> 00:38:03,137
♪ JUST WANNA JUMP

1690
00:38:03,137 --> 00:38:04,000
♪ WITH BOTH FEET

1691
00:38:04,000 --> 00:38:05,586
♪ INTO THIS LOVE

1692
00:38:05,586 --> 00:38:06,620
♪ MY TENDER ONLY CROAK

1693
00:38:06,620 --> 00:38:08,275
♪ YOU GOT THE STUFF

1694
00:38:08,275 --> 00:38:09,517
♪MAKE A BROTHER WANT ♪

1695
00:38:09,517 --> 00:38:11,172
♪ TO STOP THE RUN

1696
00:38:11,172 --> 00:38:12,448
♪ LIKE A PIMP LIFE

1697
00:38:12,448 --> 00:38:14,758
♪ OH, MAYBE NOT LOVE

1698
00:38:14,758 --> 00:38:18,862
♪ MAKE IT GIVE IT UP

1699
00:38:18,862 --> 00:38:23,172
♪WHOA, OH, OH, OH ♪

1700
00:38:23,172 --> 00:38:29,896
♪ I'’M READY TO JUMP ♪

1701
00:38:29,896 --> 00:38:31,275
YOU LOOKIN'’ AMAZIN'’.

1702
00:38:31,275 --> 00:38:32,275
COME HERE, MY PUERTO RICAN

1703
00:38:32,275 --> 00:38:33,241
MERMAID.

1704
00:38:33,241 --> 00:38:34,103
I CAME HERE TONIGHT

1705
00:38:34,103 --> 00:38:34,793
FULLY PREPARED

1706
00:38:34,793 --> 00:38:36,344
TO TELL JOSELINE ABOUT THE WHOLE

1707
00:38:36,344 --> 00:38:37,827
ALTHEA THING, GET IT OUT

1708
00:38:37,827 --> 00:38:40,551
THE WAY,

1709
00:38:40,551 --> 00:38:46,034
AND MOVE ON WITH OUR LIVES.

1710
00:38:46,034 --> 00:38:47,241
BUT WHY DO TODAY

1711
00:38:47,241 --> 00:38:48,000
WHAT YOU CAN PUT OFF

1712
00:38:48,000 --> 00:38:49,448
UNTIL TOMORROW?

1713
00:38:49,448 --> 00:38:50,310
LET'’S GO, BABY.

1714
00:38:50,310 --> 00:38:52,068
LET'’S GO.

1715
00:38:52,068 --> 00:38:52,793
TONIGHT,

1716
00:38:52,793 --> 00:38:53,896
MY PUERTO RICAN PRINCESS

1717
00:38:53,896 --> 00:38:55,275
IS LOOKIN'’ MIGHTY LOVELY,

1718
00:38:55,275 --> 00:38:56,103
AND TONIGHT,

1719
00:38:56,103 --> 00:38:58,137
MY DRY SPELL MIGHT BE OVER WITH.

1720
00:38:58,137 --> 00:38:59,068
SORRY, SNOOP.

1721
00:38:59,068 --> 00:39:00,551
WE GOT THE SATIN SHEETS IN

1722
00:39:00,551 --> 00:39:02,000
MY LUXURY SUITE,

1723
00:39:02,000 --> 00:39:03,620
EVERYTHING IS REAL SWEET.

1724
00:39:03,620 --> 00:39:05,034
I GUESS THE TRUTH IS GON'’

1725
00:39:05,034 --> 00:39:12,206
HAVE TO WAIT.

1726
00:39:12,206 --> 00:39:13,137
NEXT TIME ON

1727
00:39:13,137 --> 00:39:14,689
LOVE and HIP HOP ATLANTA.

1728
00:39:14,689 --> 00:39:15,448
YOU DON'’T HAVE NO RESPECT

1729
00:39:15,448 --> 00:39:16,103
FOR ME.

1730
00:39:16,103 --> 00:39:16,793
I DON'’T.

1731
00:39:16,793 --> 00:39:17,448
I DON'’T [bleep]

1732
00:39:17,448 --> 00:39:18,344
HAVE NO RESPECT FOR YOU.

1733
00:39:18,344 --> 00:39:19,068
THAT'’S THE BOTTOM [bleep]

1734
00:39:19,068 --> 00:39:19,758
LINE.

1735
00:39:19,758 --> 00:39:20,413
OKAY.

1736
00:39:20,413 --> 00:39:21,620
AND I'’M [bleep] LEAVIN'’.

1737
00:39:21,620 --> 00:39:22,275
ALL RIGHT.

1738
00:39:22,275 --> 00:39:23,379
MY BOYS IS GOOD, TRUST ME.

1739
00:39:23,379 --> 00:39:24,379
OKAY, I FELT LIKE WE'’VE BEEN

1740
00:39:24,379 --> 00:39:25,793
TOGETHER FOR FOUR YEARS,

1741
00:39:25,793 --> 00:39:26,793
AND I HAVEN'’T GOTTEN

1742
00:39:26,793 --> 00:39:27,655
PREGNANT YET, SO WE NEED

1743
00:39:27,655 --> 00:39:29,000
TO FIGURE OUT WHAT IS GOING ON.

1744
00:39:29,000 --> 00:39:30,000
ONCE YOUR SPECIMEN IS

1745
00:39:30,000 --> 00:39:31,517
COLLECTED, PUT IT IN THE CABINET

1746
00:39:31,517 --> 00:39:32,517
WITH THE DOOR.

1747
00:39:32,517 --> 00:39:33,172
GOT IT.

1748
00:39:33,172 --> 00:39:34,620
THANK YOU.

1749
00:39:34,620 --> 00:39:36,310
THAT WAS ORGASM, HE CALLED.

1750
00:39:36,310 --> 00:39:37,000
I GOT NOTHING

1751
00:39:37,000 --> 00:39:38,000
TO DO WITH THAT GIRL, BRO.

1752
00:39:38,000 --> 00:39:38,689
WHO?

1753
00:39:38,689 --> 00:39:39,310
WITH JOSELINE.

1754
00:39:39,310 --> 00:39:40,310
I COULDN'’T DEAL WITH IT NO MORE.

1755
00:39:40,310 --> 00:39:41,000
DEAL WITH WHAT?

1756
00:39:41,000 --> 00:39:41,862
HUNTIN'’ THE SMASH.

1757
00:39:41,862 --> 00:39:43,000
HER WANTIN'’ TO SMASH YOU.

1758
00:39:43,000 --> 00:39:43,965
YEAH.

1759
00:39:43,965 --> 00:39:45,931
I GOT SOMEBODY RIGHT HERE

1760
00:39:45,931 --> 00:39:47,275
THAT CAN SAY THAT FOR HIMSELF.

1761
00:39:47,275 --> 00:39:48,482
SOMEBODY IN HERE IS SMASHED.

1762
00:39:48,482 --> 00:39:50,724
SOMEBODY IN HERE.

1763
00:39:50,724 --> 00:39:51,620
AND IT'’S NOT ME.

1764
00:39:51,620 --> 00:39:52,827
I'’VE GOT TO TELL JOSELINE

1765
00:39:52,827 --> 00:39:53,896
HER NAME IS BEING DRAGGED

1766
00:39:53,896 --> 00:39:54,620
IN THESE STREETS.

1767
00:39:54,620 --> 00:39:56,000
YOU KNOW, I'’M IN THE STUDIO.

1768
00:39:56,000 --> 00:39:57,413
I'’M TALKIN'’ TO SNOOP,

1769
00:39:57,413 --> 00:39:58,793
AND, YOU KNOW WHAT I'’M SAYING?

1770
00:39:58,793 --> 00:40:00,068
SOME THINGS WAS ON MY MIND

1771
00:40:00,068 --> 00:40:01,000
OR WHATEVER, AND I'’M--

1772
00:40:01,000 --> 00:40:01,655
I JUST WANT TO

1773
00:40:01,655 --> 00:40:02,827
GET IT OFF MY CHEST.

1774
00:40:02,827 --> 00:40:03,482
HOLD ON, HOLD ON.

1775
00:40:03,482 --> 00:40:05,206
WORD AROUND TOWN IS YOU [bleep].

1776
00:40:05,206 --> 00:40:06,068
GUESS WHERE THAT COME FROM?

1777
00:40:06,068 --> 00:40:06,758
BENZINO.

1778
00:40:06,758 --> 00:40:07,448
I'’M JUST SAYIN'’.

1779
00:40:07,448 --> 00:40:08,172
YOUR HOMIE, YOUR BESTIE,

1780
00:40:08,172 --> 00:40:09,000
HE GONNA DRIVE YOU CRAZY.

1781
00:40:09,000 --> 00:40:09,655
I'’M NOT GONNA

1782
00:40:09,655 --> 00:40:10,310
DISRESPECT YOU--

1783
00:40:10,310 --> 00:40:11,137
I'’M NOT DISRESPECTING YOU.

1784
00:40:11,137 --> 00:40:11,896
'’CAUSE YOU WANT TO BE W--

1785
00:40:11,896 --> 00:40:12,551
OH, NO, YOU ARE.

1786
00:40:12,551 --> 00:40:13,206
YOU HURT MAMA.

1787
00:40:13,206 --> 00:40:13,896
YOU HURT MY SOUL.

1788
00:40:13,896 --> 00:40:15,000
AND YOU HURT MY MIND EVERY DAY.

1789
00:40:15,000 --> 00:40:15,655
I HURT YOUR MIND?

1790
00:40:15,655 --> 00:40:16,310
YES, YOU DO.

1791
00:40:16,310 --> 00:40:17,206
I'’M SO OVER YOU.

1792
00:40:17,206 --> 00:40:17,896
YOU NEED TO GET

1793
00:40:17,896 --> 00:40:18,551
YOURSELF TOGETHER.

1794
00:40:18,551 --> 00:40:19,931
YOU OVER WHO? YOU OVER WHO?

1795
00:40:19,931 --> 00:40:22,862
I'’M OVER YOU.

1796
00:40:22,862 --> 00:40:42,206
YOU'’LL NEVER BE OVER ME.

1797
00:40:42,206 --> 00:40:43,689
NOW I GOT TO BEAT YOUR ASS.

1798
00:40:43,689 --> 00:40:44,896
OH, WAIT UP.

1799
00:40:44,896 --> 00:40:46,000
THAT'’S NOT HOW YOU SPELL "BEAT

1800
00:40:46,000 --> 00:40:47,310
YOUR [bleep]," HOW THE

1801
00:40:47,310 --> 00:40:48,482
[bleep] ARE YOU EVEN, LIKE--

1802
00:40:48,482 --> 00:40:49,448
KNOW WHAT THAT SAYS?

1803
00:40:49,448 --> 00:40:51,724
"NOW I BEAT YOUR--I--NOW I

1804
00:40:51,724 --> 00:40:53,896
GOT"--WHAT THE [bleep]?

1805
00:40:53,896 --> 00:40:54,724
SHE'’S LIKE, SHE SAID--

1806
00:40:54,724 --> 00:40:55,379
WHO WROTE THIS,

1807
00:40:55,379 --> 00:40:56,034
A THIRD-GRADER?

1808
00:40:56,034 --> 00:40:56,827
"NOW THERE'’S SOMETHIN'’

1809
00:40:56,827 --> 00:40:57,482
I ALREADY KNEW.

1810
00:40:57,482 --> 00:40:58,241
NOW I GOT TO BEAT YOUR ASS."

1811
00:40:58,241 --> 00:40:59,448
"NOW I GOT BEAT"--OH,

1812
00:40:59,448 --> 00:41:01,724
SO YOU GOT "NOW I GOT BEAT YO"--

1813
00:41:01,724 --> 00:41:03,931
THAT--THAT'’S BEAT?

1814
00:41:03,931 --> 00:41:06,206
B-I-T'’S NOT BEAT. THAT'’S BIT.

1815
00:41:06,206 --> 00:41:06,655
"NOW I BIT YOUR--"